Magic Trick

I’ve always loved that Magic Trick is Tim Cohen’s outlet to go full 70’s Tim Buckley. To wander down Gene Clark roadways and flesh out his troubadorisms outside of the bounds and expectations of The Fresh & Onlys. His voice has the easy, mellifluous quality that lends itself to his payday jangle-pop; but its just as comfortable in a dusted blazer, strumming songs alone in a smoke cloud, center studio to be augmented with all manner of accoutrements in post. Fresh & Onlys is a push-pull between Cohen’s gravitas and Wymond Miles’ furrowed tension, but left to their own devices they’re able to amp up their strengths, as is evident with Miles’ stunning turn earlier this year. In his own right Cohen lets Other Man’s Blues shine as a darker corner of his songwriting, feeling far from breezy, the album is interested more in creating a collective enviornment that utilizes the studio as process and as partner.

The album benefits from a huge, rotating cast of players, as Cohen holed up for a week with Phil Manley but invited plenty of friends to drop by and shape the record. The result is less slap/dash than it its the culmination of several secret weapons all converging as one to give Cohen’s songs wings. James Barone (Beach House) and Alicia Van Heuvel (Aislers Set) turn in time and studio Swiss Army knife Emmett Kelly (The Cairo Gang / The Muggers) rears his head as well. The album certainly doesn’t come off as something that went into recording open-ended, but the collaborative spirit gives Other Man’s Blues that right sense of drinking-til-dawn-to-find-the-song that gave life to those 70′ hallmarks of excess turned brilliance. Cohen may have only spent a week hammering out the cramps on Other Man’s Blues but the mindset of month long jaunts and nights spent ’til dawn in the live room take root here, making it feel like someone lost a fortune for us to all find hope in its arms. Even if that’s not the case, the record’s still bigger sounding than most living rooms, cars or headphones can hope to contain and for that I’m grateful.



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