Browsing Category Tracks

Scott & Charlene’s Wedding – “Back In The Corner”

Very nice to see Aussies Scott & Charlene’s Wedding back on the release schedule this year. After a three year break the band is back with a new EP, When in Rome, Carpe Diem and the first cut has them hip-swinging and pouting through their very best Velvets take. “Back in the Corner” is loose and strummin’, bringing out that Lou flair and swagger that they’ve hinted at prior and leaning into it wholesale this time around. Making songs feel like an effortless pop gem is what the band does best, but there’s some thing more malleable about their sound this time around. They’d always had a mussed hair quality to their songs, but this one feels like its got the coif greased and the leathers on. It’s a bit sinewier than their last couple of records. A real stunner that begs for the listener hear more of this EP. The record lands November 29th (so you don’t have to wait long) on Bedroom Suck.





Support the artist. Buy it HERE.

0 Comments

En Attendant Ana – “Words”

France’s En Attendant Ana swoon into the first single from their upcoming album Juillet, expanding on the pop sparkle from last year’s Lost & Found. Atop a pulsing beat, cut through with tensile synths, a cacophony of horns and thick guitar clouds, Margaux Bouchaudon’s voice saunters through a dream haze. The song recalls Stereolab at their most feverish, less serene noise flutter, and more brass-scratched belter. The band’s sound has come into focus, more polished than they sounded previously but no less biting. The new record was mastered with notable French engineer Dominique Blanc-Francard and is headed out January 24th, 2020 on Trouble in Mind.




Support the artist. Buy it HERE

0 Comments

Dire Wolves – “(Brother Lee) Womblife Blues”

Exciting news today as Dire Wolves announce another crusher for 2019. The band’s Grow Towards The Light is already a staple of the turntable around here, but they’re never ones to shy away from prolific output. Centripetal Force is putting the band’s I Just Wasn’t Made For These Set Times tape on LP. Not familiar? I don’t blame you. The release was previously only available as part of a 50-cassette run at the merch table on their last European tour, released by French label Ruralfaune. The release comes from the same fertile sessions that birthed Grow and Paradisiacal Mind and it’s rooted in much of the same meditative/explosive sensibilities that anchor their recent work.

On “(Brother Lee) Womblife Blues,” Georgia Carbone’s vocals transport the listener away from the physical world, leaving language bound to the Earth in favor of something more ephemeral. Like many of the Wolves’ compositions, Arjun Mendiratta’s violin elevates the track, sawing at the mind in sinewy swaths, while the battle between guitars and drums reaches a fevered pitch. There’s never a good reason to pass up on Dire Wolves vinyl, and this one’s probably not sticking to the shelves too long. The label’s putting out a run of 300, with 100 on sky blue. The pressing lands February 2020.


Support the artist. Buy it HERE.

1 Comment

Badge Époque Ensemble – “Zealous Child (ft Dorothea Paas)”

If you missed out on the entrancing last LP from Canadian psychedelic soul-funk unit Badge Époque Ensemble, its time to go back and course correct, but don’t let that stop you from moving forward as well. The band’s issuing a follow-up EP on December 6th and it continues their journey down narcotized rabbit holes slathered with slinking grooves and splashed with Parliament guitar flash and sultry flute. Opener “Zealous Child” acts as a sequel of sorts to their song “Undressed In Solitude,” the sole vocal track on their previous LP. This time they recruit Toronto singer Dorothea Paas on vocals and she gives the track an air of Broadcast with a heavier edge. The song winds through a dream-like headspace before exploding into its turbulent second half.

If the great, undersung psychedelic sojourn that is Lodge 49 survives to a third season (and I damn well hope it does) someone better give Tom Patterson BÉE’s number, as they fit the bill as much as The Soundcarriers or Beautify Junkyards have in the past. Both of those stand as apt comparisons’ to the Ensemble’s space-scraping psychedelic journey – seeking to siphon the past and funnel it to an alternate future that’s resplendent and lush. I recommend getting on board.



Support the artist. Buy it HERE.

0 Comments

The Whiffs -“Now I Know”

Dig Records brings forth another snapped off revver from Kansas City’s power pop pumpers The Whiffs. The new single is forged on the punk / power pop line and echoing the carefree careen and mile wide sneer of Gentleman Jesse, The Barraracudas, and early Bad Sports. There’s no mixed messages or complications here, it’s 100% ripped wide open and ready to blow. The band packs fifteen tons of sweat, howl, and shake into just over two minutes, but even that’s enough to leave the listener crumpled and crying for more. The band’s sophomore LP, Another Whiff, is out December 6th and the band’s headed out with The Get Up Kids starting on Wednesday.

Support the artist. Buy it HERE.

Continue Reading
0 Comments

Gabriel Birnbaum – “Not Alone”

Taking a solo tangent after years spent with the likes of Wilder Maker (Northern Spy), Violence Jazz and Debo Band, Gabriel Birnbaum sets himself up in the vein of road weary troubadour and it looks good on him. The title track from his upcoming LP Not Alone is a loose, untucked and heart-heavy song that spins in lyrical circles. The track plays Gabe’s sandpapered vocals to great effect. Over a loping guitar line, he turns the rather modern medium of texting into something more timeless, soaking the song in a Townes / Fred Neil grit that grounds itself in the idea of connecting with long distance love through small moments.

Inspired by albums like Jim Sullivan’s UFO and some of the more immediate entries to the Neil Young catalog, the song has a looseness to it while remaining clear that the crew behind the record is on the highest order. No stranger to session work himself, having appeared on records from Lady Lamb to Eli “Paperboy” Reed over the years, Birnbaum gathered a group culled from members of Okkervill River, Sam Evian, and avant jazz circles for his own recording and they give the song a live in the room quality that’s buoyed by Birnbaum’s intimate delivery. The record is out 11/22 on Arrowhawk Records.


Support the artist. Buy it HERE.

0 Comments

Basic Plumbing – “Constant Attention”

A bittersweet note on a career cut too short arrives this week as the final album from Patrick Doyle (Veronica Falls, Boys Forever) is announced under the name Basic Plumbing. “Constant Attention” retains a lot of crossover with his well-known roots in Veronica Falls. While it’s pared down and ducking away from the multi-part harmonies of that group there’s a similar sense of melancholy and a wealth of carefree strums that inhabit the song. The jangles pluck in subdued hues, spinning ‘round and ‘round with the vocals and chasing one another for dominance over the drums. This seems like its just a peek behind the curtain of Doyle’s pop and I can’t wait to hear the rest.



Support the artist. Buy it HERE.

0 Comments

Richard Youngs & Raül Refree

Soft Abuse is kicking out the quality this week, with the announcement of a long awaited album from Donovan Quinn earlier this week and now inklings of one of Richard Youngs’ best yet. The Glaswegian guitarist teams with Raül Refre on an album of long, winding, hypnotic pieces that work together the artists’ interest in chamber music, liturgical song, and the heavy-hearted folk of Tim Buckley. “Nil To Mind” swirls ‘round the listener, built on a circular guitar form but aching with overwhelming sadness from Refre’s string accents. Youngs is prolific, to say the least, and you’d be forgiven for becoming overwhelmed by his outpouring of collaborations, solo works and experimental output under the “Foot Guitar” heading. That said, this album exemplifies why Youngs is such a vital force in folk and composition. This marks the duo’s first collaboration, but with such staggering work at hand, I hope this winds up the beginning of something big. The LP is out December 6th.



Support the artist. Buy it HERE.

0 Comments

Donovan Quinn – “Satanic Summer Nights”

Has it really been seven years since Donovan Quinn graced us all with a solo record? It seems this is absolutely true, though his collaborative project with Ben Chasny, New Bums, helped to heal the wounds of time in the interim. In that light, news of the upcoming Absalom comes with a sense of excitement and the first cut from the record, the twisting, epic “Satanic Summer Nights” sets the mood just right. The new album sees Quinn reconnect with a heavy cast of regulars in his musical universe – Chasny, of course, is here, lending a hand to mix the record, plus appearances by Elisa Ambrogio (Magik Markers), Jessica Roberts, Jason Quever (Papercuts), Michael Tapscott (Odawas) and Eric Amerman flesh the album out to one of Donovan’s heaviest hitters yet.

“Satanic Summer Nights” captures the whirlwind feelings of youth, the crushing weight of change, and the sting of betrayal set to a background of humid summer air. The pulsing pop twists and time changes give the song the grandiosity of Nikki Sudden tying together three of four of his best deep cuts into a pounding medley before collapsing to a heap on the stage. Given his roots in Skygreen Leopards, Quinn has remained an inspiration for RSTB since the very first days of the site, and I can say without hesitation that this feels like one of his most affecting records. Take a few spins through “Satanic Summer Nights” and look out for the new record on Soft Abuse December 5th.

Support the artist. Buy it HERE.

Continue Reading
0 Comments

Lorelle Meets The Obsolete – “Unificado (Pye Corner Audio Remix)”

Earlier in the year Guadalajara’s Lorelle Meets The Obsolete released one of their most potent records to date. It pulled them out of the murk a bit and into a crisper vision of shoegaze, dreampop, and scarred psychedelia. Perhaps as a reminder of that album’s prowess as we near the end of the year, the band has released a remix of the album’s darkly simmering “Unificado” by UK synth slinger Pye Corner Audio. The Ghost Box alum has been haunting the edges of horror soundtrack-style rev-ups of late, but here he’s all in for atmospherics. Taking the track’s airy creep and white-hot guitar and giving them a slinking makeover that utilizes Lorena Qintanilla’s vocals as not a harbinger of psychedelic fry, but as a conduit for tense cinematic sweat, this is a completely new side of LMTO. Still time to get into their latest if it has eluded you for the past year, and quite recommended that you do.



Support the artist. Buy it HERE.

0 Comments