Browsing Category Tracks

The Green Child – “Traveler”

As the year winds down its time to get excited about 2018 recs already, and topping the list is this collab from faves Mikey Young (Eddy Current Suppression Ring, Total Control, Lace Curtain) and Raven Mahon (Grass Widow, Bridge Collapse). The record eschews the comfort zones of both, going for a synth-driven sound that’s dark, terse and sinewy. The pairing feels like a good fit, with the two having built the record over the last couple of years since meeting at an Oakland show in 2014. The band’s name was inspired by Herbert Read’s 1935 utopian, communist, sci-fi novel called The Green Child and the novel plays a part in some of the album’s lyrics as well.

The record features fellow traveler Al Montfort (Terry, Total Control) and finds a home on RSTB fave Upset The Rhythm January 12th. Highly Recomended!




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Gary War – “Windows and Walls”

Some of the early tape and 7″ slingers that populated RSTB have found themselves slowing in the recent years, so it’s always a bit of a relief that a favorite project still has wheels. Gary War popped up on Sacred Bones, Captured Tracks, Spectrum Spools and Upset The Rhythm at one time or another and now he calls another luminary label home with a new LP coming up on Feeding Tube. The new track shakes off the crust of some of his past psychedelic trappings and breathes a bit of color into the cheeks of his psych-pop palette. “Windows and Walls” is a sunny strummer with just the right amount of faded Kodachrome oiling at the edges. Feeling like after an unhurried hiatus, he’s got something good in store for sure.


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Ty Segall – “The Main Pretender”

Gettin’ hard to resist these Segall gems, dropping almost bi-weekly now like a necessary dosage. The latest pushes aside the laconic cool of “My Baby’s On Fire” for a fever-sweat vision of glam that’s panting with weird lust and shaking with crossfired nerves. It’s an infected descendant of Roxy-era sleaze-rock taken to the logical extreme. Mikal Cronin returns to blow sax on this one, but this time he isn’t providing mere sunset accompaniment to Segall’s house-light comedown, not in the slightest. This time he’s out for blood and bile, cutting through the riffs with a serrated groove that’s sharpened its spines on the back of James Chance’s singular vision from years before. There have been some choice cuts in this multi-hued basket of treats, but none have lacerated like this.




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Susan – “Little Notes”

Volar’s grasp on the scuzz-flung rungs of punk in L.A. is pretty strong, but they’re also a divining ride for some of the city’s catchiest collectives. They’ve tucked into a few releases from hometown charmers Susan, but the latest track from the band’s upcoming single is packed with pop-punk hummability and backed with a strangely nostalgic quality that lets it hit home harder than some of their previous material. Couple that with some of the thickest, most refined sounds the band has put forward yet, and its a potent combination that’s well worth your time.


HERE.

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Holy – “Heard Her”

I’ve been lax in the tracks department and for that I apologize. But that’s not to say that there hasn’t been much to dig into. Holy is the work of Sweden’s Hannes Ferm, and it’s a taste of his 13-months in the making sophomre LP, All These Worlds Are Yours. Treading into psych-pop territory proper, the song is bathed in a sunlit glow that’s echoing plenty of lush-pop purveyors in his rear view – bits of Temples, Super Furry Animals and even late-term Elephant Sixers like The Sunshine Fix coming to mind on this one. It’s definitely a good sell on what he’s had cookin’ for the last year plus, and while I’ll admit I’m a sucker for some verdant psych-pop this is just a damn fine tune all around. If you’re unfamiliar, lay back into this and let it wash over you in radiant waves.





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Ty Segall – “My Lady’s On Fire”

Well I’m a sucker for a soft Segall ballad, that’s for sure. The parts of his previous S/T record that hit me hardest were the moments when the lights went low and the volume got bumped a touch out of the redline haze. “My Lady’s On Fire” kicks in with the same intentions – jangles leading the charge and feeling every bit the folk-popper in the making. Segall takes a swerve though and blows this up to a sunset ’70s showstopper full of horns and a swaying chorus that proves he’s getting comfortable in his role as a topline songwriter. There’s a something here that’s chasing the infinite classic, a Last Waltz ensemble piece that’ll someday bring the house down in tears.

Still not sure what this blocked primary release schedule is leading up to, but Januarys are becoming traditional months for Ty to release a new album so there’s always hope that this is pointing that direction. If it’s just a good shake on the bag of tracks without a home, though, I’m not going to complain either.




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Sunwatchers – “Silent Boogie”

Brooklyn’s Sunwatchers follow up their chaotic record for Castle Face with a new slab for perennial favorite Trouble in Mind. The first cut off of Sunwatchers II is a searing skin-melter with Jeff Tobias’ sax splitting hairs between the fult-tilt simmer of ’60s garage-punk and the unrestrained reaches of free jazz. They come down hard with a rhythm tumble that’s unstoppable and a sway over skronk that’s formidable and menacing. They remind me of the psych-jazz tumble of Cato Salsa/The Thing/Joe McPhee’s Two Bands and a Legend in a very good way. Gonna want to get into this when February rolls around, it’ll brighten up a the dark days and warm the cold nights.




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Parsnip – “Health”

There’s been a bit of a decline in girl-group punk swagger since the heydays of lo-fi faded into the background, but Parsnip brings the sound rushing back in full color for their debut single on Anti-Fade. The track is swooning with ’60s vocal harmonies but rooted in the Paisley-punk of bands like The Pandoras, doubling down on twangin’ guitars and squirming organ. The song is caffeinated cool, careening around hooks with a sugar buzz that’s pretty damn hard to ignore. Why would you possibly want to, though? This is a top-down stoplight dance party from start to finish and I’m keeping it on repeat.




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Odd Hope – “Reasons I Will Not Say”

Been a while since I’ve heard from Odd Hope, the solo project from Tim Tinderholt, but he’s back in fine jangled form on new track “Reasons I Will Not Say”. Still chasing the fading tail of the Sarah Records ghost, Tinderholt again creates a song that’s gently bumping the nostalgia centers of the brain. Full of wistful sighs and softly crying keys, it’s more fleshed out than the first single that he put out a few years back on Fruits & Flowers, a sign that the upcoming LP is shaping up to be a real jangle-pop contender. Produced by Skygreen Leopards’ Glenn Donaldson, the LP, also on the small SF imprint, is the label’s first full-length proper. If the rest of Tinderholt’s songs shape up as beautifully spare as this, then we’d all better keep an eye out for what’s sure to be a hushed classic in the making.




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Ciggie Witch – “Shadow”

Melbourne’s Ciggie Witch have found their own shambolic place in the pantheon of Aussie indie, refining and polishing their take since 2014’s Rock and Roll Juice. Alongside similarly conglomerate bands like Scott & Charlene’s Wedding or Wireheads, they’ve followed both pop brilliance and their own oddball impulses. But as with those two bands, when they’re on, they’re fucking on and they prove that with “Shadow,” a dark and sinewy ramble through jangled pastures. The song melds chiming guitars with mournful slide to find a place of bittersweet hope that’s elevated way beyond the fray of your average indie punters domestic or South Hemi. If the song is any barometer, their new tape for Lost and Lonesome is going to be a necessary pickup. Don’t let it get lost in the clutter of this overstuffed Fall.




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