Browsing Category Tracks

Cool Sounds – “Cactus Country”

Melbourne’s Cool Sounds swing back with another LP that follows up a solid stop-gap short player form last year. Still chasing the cool waters populated by Real Estate and other similarly minded US purveyors of languid dreams, the title track from their upcoming Cactus Country, is doused in a humid haze and underpinned with sparkling guitars. Loping along with no hurry in sight, the track practically squints in the sunshine, chugging some stutter-funk riffs that shake off a bit of the country twang that seeped into the Grudge EP. Making a move from Deaf Ambitions for a joint release between Melbourne labels Osborne Again and Hotel Motel (who released that aforementioned EP) the band is moving among some decent players in the Aussie underground. Looking forward to what the rest of Cactus Country has to offer.



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Mountain Movers – “This City”

Connecticut’s Mountain Movers are plowing back into the calamitous cloud of doom-psych that’s driven their feedbacker souls for the past few years. The first cut from the upcoming Pink Skies is a scorched-Earth flayer that proves yet again that few guitarists are touching the nebula of psych as feverishly as Kryssi Battalene. The song wades in hooded and hollowed but by the end Battalene brings a torrent of guitar evil down from on high, obliterating anything in her path with an apocalypse shred. Be warned, this is just a 3 ½ minute dose of what’s lurking on their upcoming LP. Hopefully the world’s ready to receive this psych reckoning with open arms.



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Sundays & Cybele – “Unbalanced”

The good news from GuruGuru Brain continues to rain down in psychedelic sheets. Yesterday flagship band Kikagaku Moyo announced a new LP, but let it not overshadow news that labelmates Sundays & Cybele also have a new album on the way. The band’s fourth record, On The Grass is preceded by the echoplexed burndown of “Unbalanced.” Not to be outmatched by their fellow Japanese psych rumblers the track boasts plenty of guitar shred set to torch the town and walk away in slow motion menace. While the band boasts a heavier reliance on progressive tendencies this time around, “Unbalanced” is pure ‘70s freakout pulling from the ghosts of 13th Floor Elevators and Flower Travellin’ Band.



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Maher Shalal Hash Baz – “Switch Back”

Not long ago I was comparing Yuzo Iwata’s spare and bracing record to the works of Maher Shalal Hash Baz and at the same time wondering what’d become of that group, quiet for so long. Well as fate would have it Tori is back with MSHB and splitting time with the equally missed Little Wings on a new 12”. Got a first listen here of “Switch Back” from the upcoming EP and it’s as haunting a piece of folk as he’s put together in the past. The track tumbles over itself, strips bare any sentimentality and plays folk for the parched husks of crops picked apart by crows. Then he twists the psych staff and rolls it backwards skipping through time and space. The split is out August 21st on Moone Records and the fist 100 copies come with a hand-drawn postcard from Little Wings’ Kyle Field.



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GØGGS – “Pre Strike Sweep”

Whew, lotta news today and all of it good. Adding to a busy year with a solo record and collaboration with White Fence already under his belt, the inexhaustible Ty Segall jumps to sideman with GØGGS. The band’s sophomore LP for In The Red comes prefaced with a caustic blast of volume-shredded punk. Frontman Chris Shaw (of Ex-Cult) brings the heat, same as the band’s debut, but this time there’s more than just roadburn riffs. Augmented with some spaced synths, this one comes on like Hawkwind gone hardcore and its a brutal slap to the collective jaw. The full LP drops in September and if its half as full of crushed glass and airplane glue as this track, then we’re all in for a treat.


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Kikagaku Moyo – “Gatherings”

Some days just come blessed, like ones that deliver new material from Japanese psych masers Kikagaku Moyo. Their stop-gap EP from last year was enough to ebb the hunger for new material from this crew, but still fell short of the full album satisfaction they’re able to deliver. The first cut from the upcoming Masana Temples sounds right on track to expand consciousness and lift listeners on the strength of the band’s shimmering vibes and hothouse sweat. The group shacked up with Portuguese jazz musician Bruno Pernadas for production on this album, taking in the veteran’s altered perspective and applying it to their towering yet tender psychedelic tendencies. “Gatherings” runs the radar between glycerin guitars that trickle down in shimmering coils to a heavy prog singe that lays down third degree psychic burns via guitar pyrotechnics. It’s a damn fine introduction to the album that pushes the excitement for a new stunner to full tilt.




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The Shifters – “Straight Lines”

Aussie scrappers The Shifters caught my ear with their first single, the rat race takedown “Work, Life, Gym, etc” and they don’t disappoint with another sneak peak into the workings of the upcoming Have A Cunning Plan. “Straight Lines” digs into the current OZ trend of shaggy indies that feel like kitchen sing-a-longs – true embracers of the slacker-pop ethos, the recline into the comfort of this track and can’t help but make the listener feel included in the camaraderie. The song is stuffed to the stitches with jangles and woozy keys and a low-key day in the life tale of taking the edge off and avoiding responsibility. The track’s a charmer, which could easily be said about the whole of their upcoming LP for Trouble in Mind. Don’t snooze on this one.




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Little Ugly Girls – “Jimmeh”

Chapter Music are doing the world a service and giving long simmering band Little Ugly Girls their due. The Tasmanian punks were a fan favorite and tore up the ‘90s around their homeland, but never issued a record until now. Given the quality of the material here, that seems almost criminal in retrospect. Along with the electric frontwoman Linda Johnston, the band included Mindy Mapp, from RSTB faves Fur (also desperately undersung, especially outside of the South Hemi). Fans of L7 take notice, you were definitely missing out without the strained stomp of the LUGs in your life. In advanve of the the album’s release this Friday take a first listen to “Jimmeh” – a heavily fuzzed assault, buttoned and bound to break by the time it gets to the final collapse. Johnston’s laryngitis growl gives the track urgency but the band holds their own in her wake with a simmering pot of noise that can barely keep from blowing its lid. For a band that shared stages with Bikini Kill, Fugazi and the White Stripes, it seems long past time that the world gets a proper intro to these vital cuts.

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Salt Lick – “Dirty Dream”

Another ripper out of the Permanent Records camp this week. Coming on like an MC5 fever dream, this b-side from Salt Lick’s debut 7” shakes the window panes until they beg for mercy. See-sawing on a monster riff, the track is muddied and murky but I’ll be damned if it doesn’t knock the wind out of you. Salt Lick rounds up members from the Permanent staff, but its more than just a bit of nepotism here – it seems that those curating the power of pummel can also deliver it just as well. This is scuzzy, crusted, exhaust huffing garage rock with no spit shine in sight. The band lets loose with the new single on Wednesday and precedes it with a hometown release show in LA, so if you’re West Coast centered you can experience the brutal beatdown in person.



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CAVE – “San’ Yago”

Over the last few years Cooper Crain has been so enmeshed in his glycerin drone unit Bitchin’ Bajas and busy with production work its hard to remember that the man commanded one of the great prog psych bands of our time. CAVE returns with a new album this year on Drag City, just to remind us how sorely they are needed. First single from the upcoming Allways is a cosmic funk number that digs it’s boots into a groove and doesn’t let go. A velvet bass tugs at the tail of this cut. Crain’s keyboard runs fire somewhere between German Progressive and Italo Library psych. Surrounding it all a tangle of percussive poprocks and some air-cooled vocals help cement this into the kind of soundtrack that’s made to get stuck in the 8-track of your Pacer for all time.

Amplifying the ‘70s vibe, the band has worked up a video that’s splitting time between blurring lights and sepia toned travels through the country’s hot dog shacks and roadside greasy griddles. “San’ Yago” is CAVE stepping back atop the mountain of instrumental psych groovers and picking up their crown from the ash. This one is high on the list of albums to look out for in the second half of 2108.



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