Browsing Category Tracks

ORB – “Space Between The Planets”

Must be something in the water, I was just thinking about ORB the other day and here we are with a new single on the docket and an album on the way. “Space Between The Planets” taps right into Zak Olsen’s holster of heavy psych weapons – crushing fuzz riffs, phased space-rock atmospherics and a rumblin’ rhythm section that pounds heavy and menacing as tank treads. The new song locks into this Hawkwind / Sabbath comfort zone and honestly, that’s just what I came for. There’s still room for the bong-rattling basics of prog-psych these days and if the formula’s solid, why shake it too much? The song will wind up the title track of an upcoming LP for Flightless, so keep an eye out because you know there’s some limited, splattered petroleum platters on the way soon.



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The Babe Rainbow – “Supermoon”

Aussie’s own sunset psych purveyors The Babe Rainbow return with a new album and another track that’s dipping into the narcotic beach vibes that have propped them up. “Supermoon” swings on a placid groove that’s buttered and balmy, just right for the onslaught of heat waves (well up in our hemisphere at least). They succeed in melting the track right into the floor, pooling with an ease that’s admirable in its resolve to relax. The track is the first salvo off of a new Flightless / 30th Century Records album, Double Rainbow out in July.

The band accompany the single with a hazy, psychedelic video that’s chock fulla, well, fruit. It’s got a ’70s Sesame Street educational segment quality to it that fits the breezy vibes quite well. Check it out below.




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Loose Tooth – “Keep On”

Excited to hear that Melbourne’s Loose Tooth finally have an LP on the way. The trio’s last EP Saturn Returns was a taut indie popper built on the back of post-punk bass lines and a tangle of jangles. Good to hear from the first drops of Keep Up that the LP looks to be more of the same. “Keep On” unrolls with a stately grace, slow and creeping like the best widescreen ‘80s cuts. It maintains the build for the majority of its run until the song boils over with a rush of background vocals and colorful splash of keys, exploding like a shaken soda all over the speakers. The record is out on Milk! Records in August, so stay sharp and keep a lookout when it hits.



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Tony Molina – “Nothing I Can Say”

Damn right its time for a new Tony Molina jam and the word that a full length is on the way from California’s favorite punk turned soft shell power popper is well received around here. Molina’s sticking with brevity as his bread and butter and that means that this one clocks in just a touch over one minute long, but what a minute it is. Firmly dialed into his Teenage Fanclub adoration, the song doesn’t waste a minute, proving that while most bands would spin out into a couple more choruses to hang that nougaty verse TM can do in only one. I guess if you disagree you can always just lock this on repeat and hunker down into a “Nothing I Can Say” loop. Sounds pretty tempting to me actually.



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Smokescreens – “Someone New”

While the band had me at “formed to honor their love of Kiwi pop bands” the fact that Smokescreens contains members of two long-running RSTB faves Terry Malts and Plateaus seals this for me. Their first LP came out on Corey Cunningham’s Parked In Hell records, and I’m quite sorry to have missed that, but consider me in for the long haul on their second album which is close approaching on Slumberand. “Someone New” is upfront about its love for The Clean but the band wrangles in bits of The Wake as well on this cut. The balance of jangle and fuzz is formidable and its close to bubbling over with frothy goodness. The cut is addictively re-playable and given its earworm tendencies, bodes well for a full album of fizz from the band.



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One Eleven Heavy – “Old Hope Chest”

Last week I mentioned the growing presence of a new crop of bands raised on soundboard rips and zine culture conversations regarding which night held the true elevation of a solo from rote to enlightened and this week I’m introducing the first taste of one of the best of what’s next. While over time the mere implication of a band leaning jam seemed to set higher-handed listeners hackles on full alert, now that niche is king and cultures upon sub-cultures have cropped up quicker than crabgrass in internet back-alleys there’s a growing demand for bands that process their love of Little Feat, NRBQ, Levon, Trux and the Dead without worrying about cultural cache. There’s a demand and 2018 is bursting to contain the response.

Let’s not go throwing around that itchy term ‘Supergroup’ here but, be fair, there’s an overabundance of talent coursing through the veins of One Eleven Heavy. Started as a gauntlet thrown by James Toth (Wooden Wand) to fellow traveller Nick Mitchell Maiato (Desmadrados Soldados De Ventura) “Old Hope Chest” was conceived to “rise above the mundane, descriptive, lifestyle narratives of contemporary singer-songwriting.” It was, they decided, “Something that connects to our shared rock tradition and celebrates our musical identity without the apology of irony.” The track swings on groove and taps into a collective consciousness of what was actually “classic” about rock, without being dictated by what was pressed, sold or spun through the static crackle of radio. This echoes the ’72-’74-era Grateful Dead as it was lived in the room, and not as it was felt from the runout.

Joining in this crack team of cosmic workmen is Hans Chew (Hiss Golden Messenger/Jack Rose/Endless Boogie), Ryan Jewell (Ryley Walker band/Psychedelic Horseshit), and Dan Brown (Royal Trux/’68 Comeback) and the LP opens up shop as the first release on Scott McDowell’s (WFMU/ 120 Minutes) new label Kith & Kin. So, yeah, like I said this one’s not treading lightly. Drop into “Old Hope Chest” below and get prepped and hydrated to receive Everything’s Better in September.



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New Parents – “Well”

Something heady’s been happening in central Mass of late and it’s brought a lot of new favorites to the fold, but this time an old traveler treads through the halls of Raven. New Parents is the brainchild of former Sore Eros member Adam Langelotti and his new endeavor springboards off of his former band’s warbled psych for a more pristine approach that ropes warm violin strings to a bed of sunset ripples and bittersweet plucks of guitar. Langelotti invites collaboration, as the familial leanings of the band’s name might imply, and the album boasts musical drop-ins from Shannon and Beverly Ketch, Ma Turner and on the sunshine-psych sigh of “Well,” Gary War stops by for some warbly reverse vox that give the whole song a heatstroke fevered haze. The band is reported to push these songs out further to the edges on stage, but the velvet pop numbers that are finding their way to record have their own hearth glow that can be felt through the phones. The record lands on Feeding Tube next month.



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Elkhorn – “Lion”

Psych duo Elkhorn likely takes the cake and perhaps the whole bakery with their backstory on the upcoming Lionfish tape prepped for Eiderdown Records. This is undoubtedly the best set of longform jams inspired by and created while using an extracted version of lionfish venom you’re gonna hear. That said the eighteen plus minute opener “Lion” has all the hallmarks of some of the best psych folk. The track builds in slow, reportedly peaking musically at the same time the venom’s effect reaches its zenith. The pair weaves acoustic and electric guitars through verdant passages, echoing wet reverb from the electrics like damp stalactites dripping into pools below.

Even without any lysergic venom coursing through your veins the track is a high order psych ramble that proves the band is onto something. The ebb and flow of “Lion” provides and engrossing rabbit hole of tangled strings, liquid pluck and just a touch of scorch on the back half. If the other half of this tape is even a quarter as heady as this then it begs to be snapped up.



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Massage – “Lydia”

Good news is afoot in L.A. with the notice that RSTB faves Massage are following up their excellent run of singles with an album due out in July. Oh Boy, produced by Jason Quever of Papercuts, doubles down on the band’s jangle obsession emulating heroes like The Go-Betweens, Razorcuts and Close Lobsters while placing them alongside the current Aussie set’s topliners like Twerps, The Stroppies or Rat Columns. The jangles on “Lydia” practically glint and they set sail a dreamy male / female chorus that’s hooked in heavy to the bittersweet sighs of a love crumbled. The song’s simplicity and mantra-like hook can’t help but crack a smile on the most withered husk, beaming with Left Coast vibes of shimmer and summer sun. Put this album on your list of expected stunners for the back half of 2018.



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Garcia Peoples – “Show Your Troubles Out”

2018 is proving to be something of a renaissance for the typically shunted “jam band.” The term inspires revulsion in so many, but to those with crisper memories of prime-era Dead shows there exists a pang for a higher level of improvisation than wading into the bottom rung puca necked garden variety jammers that clog up college campuses. To that effect, there are quite a few records that nail the good and scrap the bad connotations associated with the term (see One Eleven Heavy, Wet Tuna, Weeping Bong Band, and the return of Howlin’ Rain). Add NJ youngbloods Garcia Peoples to that roster. The band might not have the age range to have had firsthand experiences with the parking lot set but they’re clearly versed in the wealth of prime live boots that float around the internet and given the ability to hear the best of the best they may well have used them as a primer and style guide to the cosmic float.

The band has recently added P.G. Six on keys, who gives a further seal of approval (and enters into a contest with himself for excellent psych jammer of the year with his work in Wet Tuna). What works best about Garcia Peoples is that they feel unrestrained by the walls of the studio on their debut and that shines through on “Show Your Troubles Out,” a track deeply indebted to the groove and stretching out for the highline haze with each starburst jut of guitar that slaloms through the cut. Of course, this one has to have longer legs on stage, but it’s a damn fine argument for Garcia Peoples upcoming stunner on Beyond Beyond is Beyond.



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