Browsing Category Tracks

Thigh Master – “Mould Lines”

Brisbane’s Thigh Master issue their second LP on Goner and its a bright shot of jangle for 2019. Their debut had a great deal of promise and Now For Example clearly makes good on it. The first taste of the album is the rollicking jangler “Mould Lines,” which jumps off from The Bats and Clean footprints with some kind of wicked glee. Spinning its hooks ‘round and ‘round in the sun, the song’s underpinned with the shaggy split ends of post-punk, but more often it’s reveling in the indie-pop tangles that run wild at its heart. The record hits the shelves September 27th.



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Fabulous Diamonds – G.B.H.

This is not a band I’d expected to return to the fore. It’s been seven years since Melbourne duo Fabulous Diamonds issued their sorely overlooked Commercial Music. They’re still crawling through the murk, turning creeping menace into dub-flecked ambient anthems. “G.B.H” is lost in a miasma of haze, pulling bits of twisted John Carpenter synth through a fog of fear and doubt and dread. The band has always threaded the outskirts of pop, finding doors in that no one thought to explore. This album sees the band jump to A L T E R, who are quickly making an imprint picking up all manner of experimental impulses at home and abroad. The band’s last was actually the subject of Ripley Johnson’s Hidden Gems, feel free to check that here. The new LP arrives September 20th.



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Garcia Peoples “One Step Behind (Single Edit)”

It would be disingenuous to say that Garcia Peoples rise over the past year has been anything short of impressive. Following their sophomore LP for Beyond Beyond is Beyond in February they’ve become staples of the live circuit in NYC (a quick dig through Archive.org or NYC Taper will confirm their prowess in the room). They’ve opened a slew of dates with Chris Forsyth and Kurt Vile, fleshed out their sound with the help of new permanent member Pat Gubler (Wet Tuna, P.G. Six), cut a lightning crack studio session with Hans Chew, and now they’re onto their second album of the year. Some might think the second helping would leave the band wanting for material, but it’s a goddamned smorgasbord at the Garcia’s house and we’re all invited. Taking their improvisational prowess from the stage to the reels, the band is issuing a 32-minute epoch of a title track that brings Guitarist Tom Malach’s father, Bob on board for a deep dive through space jazz that upends everything you’d expect going into a new Peoples record.

Diving deeper into the mercurial depths than they ever have before, the band eschews their usual groove to get lost in a bit of the cosmic wilds for a patch. Malach, the elder, used to knock down sessions with everyone from Miles Davis to Arto Lindsay to Stevie Wonder so this is no nepotism knockout, this is a familial team-up for the ages. Ah-ah, but you’re gonna have to wait until the full platter’s out of the oven to hear Bob’s double overdubbed sax goodness. Right here is the radio edit, a line closer to what they’ve been playing live for the track. Heard this the other night when they opened for KV and it hit just as hard — the band workin’ up their own “Playing in the Band’ alchemy. They sync up in full symbiosis, playing off of one another with the veracity of players with twice as many trips ‘round the sun and its a delight to watch.

The band’s Danny Arakaki peels back the curtain on One Step Behind’s origins. “We had a great time recording this track,” grins Arakaki. “Many highlights involved. One being, Tom’s dad, Bob Malach, coming to the studio to lay down the sax tracks (which you’ll hear later on the full-length album version of the song) and after killing it, casually saying, “fooled em’ again.” Great to see Tom and his dad work together. Every time we make the trip out to Black Dirt Studio we end up finding new sounds too. That has everything to do with the way Jason (Meagher) works with us. Positive vibes all around. Enjoy the changes and ride the tune.” The record lands October 18th on Beyond Beyond is Beyond. Best be ready.

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Kelley Stoltz – “Turning Into You”

New burner on the line today from Kelley Stoltz. The San Francisco institution (20 years going with this release) continues his run of great solo LPs, while also serving as a go to engineer (Rays, The Mantles, Rat Columns) and sideman (Echo & The Bunnymen). His touring with the latter has definitely rubbed off a bit on his songwriting, but he’s spun the influence into some excellent New Wave-refracted pop tunes that crib the jangle and crunch of his early garage days and land his hooks with a softer blow. He’s back on Spanish outpost Banana & Louie, who also issued his 2018 record Natural Causes. Stoltz has a pretty heavy catalog to wade through, but this sounds like its shaping up to be one of his great ones. Check the first taste of My Regime below and look for it out next month.



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Moon Duo – “Lost Heads”

Another gem drops from the new Moon Duo record and this time its a headier bit of ballast than the last time around. Where the title track to Stars Are The Light sparkled with enough shimmer to warrant its title, “Lost Heads” is a deeper dive into what Moon Duo do best. The track pulses with rhythm — hot, humid, palpable — but it also drips with the usual streaked condensation and liquid guitar intensity that the band’s been known for. While this album is pushing closer to the disco vein this time around, this is not the track for the floor, or at least the dancefloor. This is more of a lying on your back, staring at the ceiling, trying to come down affair. Moon Duo have built a legacy on splitting the veil between darkness and light and this is one of those tracks tottering on the knife edge they wield so well. Still very excited to have these guys playing the site’s upcoming 13th anniversary in November. Check back for a new announcement on that next week. Good news a’comin’.




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Wet Tuna – “Goin'”

Couldn’t be more excited to have a new Wet Tuna up for grabs this morning. The last one hit hard, or it least it should have if you had the right kinda ears last year. This time the pairing of Matt (MV) Valentine and Pat (P.G. Six) Gubler is back to track your midnight ride into the subconscious, sub-dermal subject matter. The vibes are heady already as “Goin’” wafts into the room — the kind of molasses-milked twilight track that can hit just right when the brain’s in balance and the air is still. This is the core of Tuna — a humid seep of sound, a breath on the air that realigns the vibrations in the ether. “Goin” gets into the pores and never leaves.

Matt gives a little insight into how the track rose to the surface, “WET TUNA is wild & fun place for me. Pat & I have a language that seems to be unique to us…we don’t really talk about it and i reckon in many ways that’s what makes it cool. Anyway, that’s how it went down, via the jam, and how most of our music flows, we turn on the tubes and the tapes roll. I distinctly remember doing 3 “takes” of “goin’” — all with John Moloney on drums — he and i have been preserving it for a long time and the couch is flambeau comfy. He brought a pretty skeletal kit to the session, which was at my “Green Extension Studio B” in Vermont, and we left a lotta space. It’s a tight room. We tracked guitars live with drums and kept everything. Pat used a synth wah effect, I plugged in a Vox repeat percussion and Mutron. we used Gibson & Fender amps, did the vocals together in one or two takes. The lyrics came to me in a semina vision. Pat dubbed mellotron. it was around 4:20 in the afternoon, seriously, but it coulda been round midnight. Sunshine winter warmer…we had some Guinness in cans outside the window in a hanging pot from the night before, code name “water the plant” to grab a round. Pretty sure there were two left and we poured ‘em slow.”

New LP, Water Weird hits the shelves October 11th from the incontrovertible crew at Three Lobed.

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Velveteen Rabbit – “I’ll Be A Boy For You”

When NYC’s Velveteen Rabbit launched their last single, they hinted at a band well versed in the soft-hands, glam-greased power pop of The Quick, Milk n’ Cookies and Brett Smiley. They were knocking down some RSTB touch points and doing it just right. Digging into the routine power pop’s bag of tricks is easy, but emulating this specific silk crush remains decidedly less so. With the announcement of their debut proper the band is digging into yet another tough niche to nuzzle, leading with the crushed velvet pop of “I’ll Be A Boy For You,” one listen proves it’s an absolute crusher, the next three cement it as gold. The song takes the gloved touch of their power pop and backs it up with the crimped funk of The Time circa their ’81 debut. This is the heir apparent to “After Hi School.” Though he’s left this mortal mold all too soon the ghost of Jamie Starr (nee Rogers) lingers over “I’ll Be A Boy For You” like a silk scarf signature.

The guitars crunch and vamp but its that stab of synth that sends chills. Then with a coy bite of the lip and a hip twitch the band sends this song vibrating through the ethers to supercharge the hearts and minds of the youth troops thirsting for some rock vitality. This is just the first blush, there’s more to come.



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Ill Globo – “Streamlined Success”

Got another shot across the bow from RSTB South Hemi fave Aarght Records today. The label, who’s had some stunners from Eddy Current Suppression Ring, UV Race, Ausmuteants amigo others, is going for the throat with a new EP from Melbourne’s Ill Globo. Unlike the punk and post-punk stripes bolstered by many on the roster, Ill Globo wields a hardcore halberd that cuts to the bone. However, much like fellow Aussie thrashers Bench Press, the band doesn’t take much stock in the puffed and preening Midwestern machismo that often accompanies the genre. First cut “Streamlined Success” thrashes and smashes with the same freewheeling gusto the genre wears with pride though — taking the breakneck bus around the turns with a wicked smile on their faces. Its been a sweat stain of grief here in The States lately and this slicer is perfect, sweaty company to the pent up frustration and hotbox humidity.

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The Reds, Pinks, & Purples – “Ahead of Their Time”

After a lengthy gestation period the first Reds, Pinks, & Purples LP is on its way out this year. The band first appeared on Raven way back in 2009 on my first compilation, marking the three-year anniversary of the site. Since then Glenn Donaldson (Skygreen Leopards, Art Museums, Ivytree) has had several records come through, but The Reds, Pinks, & Purples has always lingered in the background. That is, until late last year when demos began popping up regularly on their Bandcamp, promising a fully formed record to come. That LP arrives via Spain’s Pretty Olivia Records. Entitled Anxiety Art the record wraps up a full set of RP&P’s amber-hued jangle-pop with just a slight lap of syncopated drums. The band has always been a close cousin of Art Museums, but where that band’s locked beats and pastel strum skew towards bliss, The Reds, Pinks & Purples scrape the heart with a pang of melancholy. Check out the lovely “Ahead of Their Time” below and nab one of the 150 copies of this gem.



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The Hussy – “Coast”

After a few great side hustles (Proud Parents, Cave Curse) Bobby and Heather are back in the saddle as The Hussy and by the saint’s of the garage gutter, a new LP is on the way from Dirtnap this fall. The band bursts out of the gate with album opener “Coast,” a track that’s steeped in the popped-vein psych-punk that’s wound up the hallmark of their sound. The pair hand vocals back and forth along their records but this one’s a true Bobby thrasher — nervy, fried, and collapsing to the floor by the time the the track tumbles to a close. They’re slicing the skin and inserting just a touch of itchy sci-fi punk creep this time around.

Damned if this record isn’t poised to be among their best. Bobby’s spent a lot of the interim backing up Nobunny as a sideman and he’s bringing quite a bit of that manic, whirlwind energy with him here. Add in some great lost Jay Reatard vibes and this one’s hitting the spot. A lot of bands that shot out of the garage-punk gauntlet of the early 2010’s have sought to sand their edges and spit-shine their sound, but The Hussy remains a dirt-caked fireball of fury, proud of the crust under their nails and ready to scratch you with them if need be. Madison’s never been a hotbed of hype, but every time there’s a new Hussy LP, I think that maybe it should be.

The Looming hits shelves September 27th. Be ready.

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