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75 Dollar Bill – I Was Real

If you missed out on 2016’s highly underrated Wood/Metal/Plastic/Pattern/Rhythm/Rock from 75 Dollar Bill, then this seems like the perfect time to jump onto the band’s sound. Melding the current free-jam inclinations of improv live sets with a guitar sound that picks at the kind of Haino/Akiyama boogie blended with West African blues, the band has long been a singular entity on the scene. They’ve just announced a new ripper for Thin Wrists / Black Editions and prefaced it with a live recording of a portion of the album’s title track, “I Was Real”. This time around the duo of Che Chen and Rick Brown are joined by a larger ensemble that wrangles in eight additional players, adding to the desert blues vibes of communal playing for social spaces. Check the trance lockdown into burner blues vibes in the video below and look out for the new LP June 28th.



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Jacco Gardner – Fading Cosmos 12″

Jacco Gardner’s last album, while still quite steeped in the seeds of psychedelia, was a departure of sorts. It served as a complete instrumental journey that echoes the type of synth-heavy psych and prog that inhabited the Harvest label, the more cosmic side of the ‘70s German underground, and pastoral Swedish psychedelia. Along with those sessions Gardner recorded two songs that didn’t seem to quite fit with the overarching journey and now they being released as a 12” called Fading Cosmos. The title track still follows the album’s thrust of burbling synths and lilting guitar melancholia, but there’s not as much buzzing of the MS20 that drove his direction on Somnium.

Rooted in the idea that artificial light is slowly eroding our ability to observe cosmic occurrences, the song wafts into a quivering dream state that’s almost unsettling in the ease of its embrace. Hazy, and rocking on a lullaby beat, the song slowly hypnotizes the listener into a meditative bliss while the organ sketches soft penlight patterns on the eyelids. Along with the flip, “Autumn in Lisbon,” the release makes a nice compliment to Somnium‘s synthedelic themes. The new EP out June 14th from Full Time Hobby.



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Allah Lahs – “Raspberry Jam”

I’ve previously mentioned the ambitious and excellently zen project from Mexican Summer, Self Discovery for Social Survival, which pairs bands like Dungen, Conan Mockasin, Peaking Lights, Jefre Cantu-Ledesma and Allah Las with pro surfers in three different, distinct environments around the globe. The bands traveled with the surfers to experience the trip and feel the energy alongside them and then wrote their accompaniment to the live footage. Some of the most compelling and sun-soaked cuts on the comp come courtesy of Allah Las and now the label’s let one of their fruit-themed tracks out into the air. Check out “Raspberry Jam” below and you can catch the film and full soundtrack in June.

The premiere of the film will be at the Palace Theatre in Los Angeles on June 15 with a live score by Allah Las, Connan Mockasin and Andrew VanWyngarden of MGMT

Ticket HERE.

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Nadah El Shazly w/ Karkhana + US Tour

Ahead of her upcoming tour with Iceage I’ve got a listen to Nadah El Shazly’s side of her recently released EP Carte Blanche (Unrock Records). The EP, a split with Sir Richard Bishop and W. David Oliphant, sees Shazly collaborate with her ensemble Karkhana. Said ensemble is comprised of top Middle Eastern and Mediterranean players including Sam Shalabi, Michael Zerang, and Umut Caglar. The tracks scrape at the psyche, focusing not on the fluid rhythmic styles associated with the region, but on an inverted vision of jazz, psychedelics, noise, and tradition. The songs for the EP were recorded while the band took up residency at Inter Arts Center in Malmö, Sweden, where the band also worked on tracks for an upcoming full length due later in the year.

For the tour Shazly will be backed by Godspeed You! Black Emperor’s Thierry Amar, Shayna Dulberger and Luke Stewart on double bass along with saxophonist / drummer / synth player Devin Brahja Waldman (Patti Smith, William Parker, and Thurston Moore, Brahja, etc.). Dates below to see Shazly swing through your area.

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Curved Entrances – “Inscribe In Night”

Phoenix’ transcendental psych collective The Myrrors have birthed a new offshoot this year (two actually, but just gonna focus on the one for now). Guitarist Nik Rayne and drummer Grant Beyschau have drawn in The Night Collectors’ Connor Gallaher to form a trio that boasts similar vibes to their own brand of sweat lodge psychedelics. Gone is the sawed violin, though and instead the band locks into the séance slithers of deep-set drone – meditative, monolithic, and ultimately boiled into a guitar maelstrom that’s slipped out of time and into a zone beyond what they’re laying down in their flagship band. The first release as Curved Entrances offers up two side-long runs of improv insanity in extremely limited runs from Carinal Fuzz. Check the five-ton freakout “Inscribe In Night” below and snag one of the remaining LPs while you can.



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Sad About The Times: An Exploration of North American 70s FM

Anthology is really digging in this year (not that last year was slouchin’) and they add another solid compilation to the collective wantlist. Compiled by Mikey Young, who’d previously worked on a comp of ’70s folk and psych tracks from his native Australia, the new compilation focuses on the barely there bands who breached the walls of FM in the ’70s. Young expresses the impulse behind the compilations as an extension of frustration with finding brilliant overlooked music and coming up short from sharing his finds with those in his immediate reach. I can relate, to be honest. And given Mikey’s already picked out a damn fine gem for RSTB’s Hidden Gems series, I’d trust his taste completely.

Mikey breaks it down, “”For nearly all my 41 year old life, my most constant joy has been to find new music to love. My next move is usually to force the people around me to listen and hope they feel the same joy. Teenage friends and crushes didn’t care at all about the knowledge I was imparting or the mixtapes I was laboring over, I’m pretty damn sure. City life was a little more receptive, though dj’ing what i heard as totally life changing, life affirming jams at bars to dudes requesting GnR didn’t always make it feel so. The occasional radio show gives me an outlet to continue sharing tunes but sometimes that feels like firing noise into a blackhole filled with all the other bazillion archival radio streams. Doing these comps with Keith (of Anthology) seem like the logical progression of what I’ve always loved doing. ”

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Self Discovery for Social Survival:
Surf Film + Soundtrack

Quite and interesting one coming down the pike (so to speaK) today in the form of a super ambitious film and soundtrack from the folks over at Mexican Summer. Now Sum’s reissue arm Anthology has been digging into surf culture for a while, issuing vinyl versions of Tully and Tamam Shud LPs that tied into Aussie surf culture while also reissuing soundtracks to Andrew Kidman’s Litmus and Glass Love surf films and packing them into a high-end box. Seems only natural then that someone over there was going to push it one step further. That step included getting top surfers from the US and Australia to travel with three groups of musicians and films crews to three top surf spots. The completed film follows Allah-Las and their surf group to Mexico, Peaking Lights and theirs to the Maldive Islands and Conan Mockasin & MGMT’s Andrew VanWyngarden with a group to Iceland. Each group then composed songs as reactions to the days surfing footage which is cut together with narration by filmmaker Jonas Mekas and art and animation from Robert Beatty and Bailey Elder (who also provide the packaging for this artifact).

Add to that extra pieces from Dugen and Jefre Cantu-Ledesma and this is a fairly unique package. I’m no surfer, never stepped on a board in my life, but the scope of this and the breadth of talent involved is frankly pretty intriguing. Plus, the psychedelic shimmer of the soundtrack stands on its own, even if you never witness the fully combined efforts. Check the trailer above and keep a lookout for this sucker when it comes out June 14th.

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Minami Deutsch & Damo Suzuki release Roadburn Session

In a meeting of two waves of Japanese psych, famed Can frontman Damo Suzuki teamed up with Guruguru Brain’s motorik heavies Minami Deutsh for a performance at 2018’s Roadburn festival. The live recording – which sees the band working tight corners, with their locked-on grooves and slash n’ burn guitar letdowns – also features the singer in true-to-nature form. While the band’s performance is airtight and barbed, Suzuki does them one better in the opposite direction. Letting his lyrics wander around in his trademark free association, the artist is echoing many shades of his former life in Can. The whole set is comprised of three improvisations and is available from London’s Fuzz Club records today.



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Prana Crafter Reissues MindStreamBlessing with Two Bonus Cuts

Last year Washington State psych-folk aficionado Will Sol entered best of lists here both at the halfway and year-end mark with two different albums under his Prana Crafter handle. Sol’s lush, earthen psych picked at traditions from Popul Vuh, Träd, Gräs & Stenar, Amon Düül II, blending nimble picking with the meditative thrum of drone. Bodhi Cheetah’s Choice was a welcome surprise full of burrowed forest psych, that was just edged out in the final run by the cinematic swirl of Enter The Stream. The latter album also marked the artist’s first foray out of the tape and CD-r formats for a vinyl run that served as a fitting canvas for Sol’s humid, haunted fare. However, Sol had quite a few gems in his catalog prior to his breakout year. 2017’s MindStreamBlessing was just such a gem, issued in a short run on the always entrancing Eiderdown Records. Now the label, in a joint release with Cardinal Fuzz, is issuing the album on LP with reformatted artwork and two bonus cuts.

The new material sits expertly alongside the originals, with “FingersFlowThroughOlkSkokRiver” lapping at the banks of the Psylocibin pond once more. Sol admits that he was immersed heavily in Sandy Bull at the time of its recording and as such he asserts that it “left its energetic imprint on that piece.” The song shares Bull’s penchant for rippling, circular playing, pushing against the circadian buzz of drone below. The new issue will be available in March from both labels in both black and limited green/pink colorways. Check out both of the bonus track below.

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Ty Segall & Freedom Band- Live Album

Anyone who’s been in the audience for Ty and co. know that its well worth the price of admission and the live entry to Castle Face’s series proved just that. Now the road-worn Freedom Band is getting a live document as well, recorded over the course of their latest tour for Freedom’s Goblin. The record was laid to tape by Steve Albini himself, which knocks this up from the usual soundboard dumpout fare. Producing a good live record is a hard target, and for every Live at Budokon there’s a throwaway cash grab on the burner for a mid-’70s major. This, however, does not appear to be a stop-gap, but a true dedication to the live record as perfect curio. The album takes a good swipe at some of Ty’s core catalog (though not necessarily the most obvious choices) and sprinkles in one of my personal favorite covers for an amp wrestle as well. At only eight tracks, though, this is a tight turnout for a band that just offered up a nineteen track studio burner. Check out the band’s take on Twins-era standout “Love Fuzz” and get prepped for the rest to hit on March 29th.


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