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Allah Lahs – “Raspberry Jam”

I’ve previously mentioned the ambitious and excellently zen project from Mexican Summer, Self Discovery for Social Survival, which pairs bands like Dungen, Conan Mockasin, Peaking Lights, Jefre Cantu-Ledesma and Allah Las with pro surfers in three different, distinct environments around the globe. The bands traveled with the surfers to experience the trip and feel the energy alongside them and then wrote their accompaniment to the live footage. Some of the most compelling and sun-soaked cuts on the comp come courtesy of Allah Las and now the label’s let one of their fruit-themed tracks out into the air. Check out “Raspberry Jam” below and you can catch the film and full soundtrack in June.

The premiere of the film will be at the Palace Theatre in Los Angeles on June 15 with a live score by Allah Las, Connan Mockasin and Andrew VanWyngarden of MGMT

Ticket HERE.

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Nadah El Shazly w/ Karkhana + US Tour

Ahead of her upcoming tour with Iceage I’ve got a listen to Nadah El Shazly’s side of her recently released EP Carte Blanche (Unrock Records). The EP, a split with Sir Richard Bishop and W. David Oliphant, sees Shazly collaborate with her ensemble Karkhana. Said ensemble is comprised of top Middle Eastern and Mediterranean players including Sam Shalabi, Michael Zerang, and Umut Caglar. The tracks scrape at the psyche, focusing not on the fluid rhythmic styles associated with the region, but on an inverted vision of jazz, psychedelics, noise, and tradition. The songs for the EP were recorded while the band took up residency at Inter Arts Center in Malmö, Sweden, where the band also worked on tracks for an upcoming full length due later in the year.

For the tour Shazly will be backed by Godspeed You! Black Emperor’s Thierry Amar, Shayna Dulberger and Luke Stewart on double bass along with saxophonist / drummer / synth player Devin Brahja Waldman (Patti Smith, William Parker, and Thurston Moore, Brahja, etc.). Dates below to see Shazly swing through your area.

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Curved Entrances – “Inscribe In Night”

Phoenix’ transcendental psych collective The Myrrors have birthed a new offshoot this year (two actually, but just gonna focus on the one for now). Guitarist Nik Rayne and drummer Grant Beyschau have drawn in The Night Collectors’ Connor Gallaher to form a trio that boasts similar vibes to their own brand of sweat lodge psychedelics. Gone is the sawed violin, though and instead the band locks into the séance slithers of deep-set drone – meditative, monolithic, and ultimately boiled into a guitar maelstrom that’s slipped out of time and into a zone beyond what they’re laying down in their flagship band. The first release as Curved Entrances offers up two side-long runs of improv insanity in extremely limited runs from Carinal Fuzz. Check the five-ton freakout “Inscribe In Night” below and snag one of the remaining LPs while you can.



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Sad About The Times: An Exploration of North American 70s FM

Anthology is really digging in this year (not that last year was slouchin’) and they add another solid compilation to the collective wantlist. Compiled by Mikey Young, who’d previously worked on a comp of ’70s folk and psych tracks from his native Australia, the new compilation focuses on the barely there bands who breached the walls of FM in the ’70s. Young expresses the impulse behind the compilations as an extension of frustration with finding brilliant overlooked music and coming up short from sharing his finds with those in his immediate reach. I can relate, to be honest. And given Mikey’s already picked out a damn fine gem for RSTB’s Hidden Gems series, I’d trust his taste completely.

Mikey breaks it down, “”For nearly all my 41 year old life, my most constant joy has been to find new music to love. My next move is usually to force the people around me to listen and hope they feel the same joy. Teenage friends and crushes didn’t care at all about the knowledge I was imparting or the mixtapes I was laboring over, I’m pretty damn sure. City life was a little more receptive, though dj’ing what i heard as totally life changing, life affirming jams at bars to dudes requesting GnR didn’t always make it feel so. The occasional radio show gives me an outlet to continue sharing tunes but sometimes that feels like firing noise into a blackhole filled with all the other bazillion archival radio streams. Doing these comps with Keith (of Anthology) seem like the logical progression of what I’ve always loved doing. ”

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Self Discovery for Social Survival:
Surf Film + Soundtrack

Quite and interesting one coming down the pike (so to speaK) today in the form of a super ambitious film and soundtrack from the folks over at Mexican Summer. Now Sum’s reissue arm Anthology has been digging into surf culture for a while, issuing vinyl versions of Tully and Tamam Shud LPs that tied into Aussie surf culture while also reissuing soundtracks to Andrew Kidman’s Litmus and Glass Love surf films and packing them into a high-end box. Seems only natural then that someone over there was going to push it one step further. That step included getting top surfers from the US and Australia to travel with three groups of musicians and films crews to three top surf spots. The completed film follows Allah-Las and their surf group to Mexico, Peaking Lights and theirs to the Maldive Islands and Conan Mockasin & MGMT’s Andrew VanWyngarden with a group to Iceland. Each group then composed songs as reactions to the days surfing footage which is cut together with narration by filmmaker Jonas Mekas and art and animation from Robert Beatty and Bailey Elder (who also provide the packaging for this artifact).

Add to that extra pieces from Dugen and Jefre Cantu-Ledesma and this is a fairly unique package. I’m no surfer, never stepped on a board in my life, but the scope of this and the breadth of talent involved is frankly pretty intriguing. Plus, the psychedelic shimmer of the soundtrack stands on its own, even if you never witness the fully combined efforts. Check the trailer above and keep a lookout for this sucker when it comes out June 14th.

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Minami Deutsch & Damo Suzuki release Roadburn Session

In a meeting of two waves of Japanese psych, famed Can frontman Damo Suzuki teamed up with Guruguru Brain’s motorik heavies Minami Deutsh for a performance at 2018’s Roadburn festival. The live recording – which sees the band working tight corners, with their locked-on grooves and slash n’ burn guitar letdowns – also features the singer in true-to-nature form. While the band’s performance is airtight and barbed, Suzuki does them one better in the opposite direction. Letting his lyrics wander around in his trademark free association, the artist is echoing many shades of his former life in Can. The whole set is comprised of three improvisations and is available from London’s Fuzz Club records today.



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Prana Crafter Reissues MindStreamBlessing with Two Bonus Cuts

Last year Washington State psych-folk aficionado Will Sol entered best of lists here both at the halfway and year-end mark with two different albums under his Prana Crafter handle. Sol’s lush, earthen psych picked at traditions from Popul Vuh, Träd, Gräs & Stenar, Amon Düül II, blending nimble picking with the meditative thrum of drone. Bodhi Cheetah’s Choice was a welcome surprise full of burrowed forest psych, that was just edged out in the final run by the cinematic swirl of Enter The Stream. The latter album also marked the artist’s first foray out of the tape and CD-r formats for a vinyl run that served as a fitting canvas for Sol’s humid, haunted fare. However, Sol had quite a few gems in his catalog prior to his breakout year. 2017’s MindStreamBlessing was just such a gem, issued in a short run on the always entrancing Eiderdown Records. Now the label, in a joint release with Cardinal Fuzz, is issuing the album on LP with reformatted artwork and two bonus cuts.

The new material sits expertly alongside the originals, with “FingersFlowThroughOlkSkokRiver” lapping at the banks of the Psylocibin pond once more. Sol admits that he was immersed heavily in Sandy Bull at the time of its recording and as such he asserts that it “left its energetic imprint on that piece.” The song shares Bull’s penchant for rippling, circular playing, pushing against the circadian buzz of drone below. The new issue will be available in March from both labels in both black and limited green/pink colorways. Check out both of the bonus track below.

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Ty Segall & Freedom Band- Live Album

Anyone who’s been in the audience for Ty and co. know that its well worth the price of admission and the live entry to Castle Face’s series proved just that. Now the road-worn Freedom Band is getting a live document as well, recorded over the course of their latest tour for Freedom’s Goblin. The record was laid to tape by Steve Albini himself, which knocks this up from the usual soundboard dumpout fare. Producing a good live record is a hard target, and for every Live at Budokon there’s a throwaway cash grab on the burner for a mid-’70s major. This, however, does not appear to be a stop-gap, but a true dedication to the live record as perfect curio. The album takes a good swipe at some of Ty’s core catalog (though not necessarily the most obvious choices) and sprinkles in one of my personal favorite covers for an amp wrestle as well. At only eight tracks, though, this is a tight turnout for a band that just offered up a nineteen track studio burner. Check out the band’s take on Twins-era standout “Love Fuzz” and get prepped for the rest to hit on March 29th.


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The Fortuna Pop! All-Stars – “You Can Hide Your Love Forever”

It was with a heavy heart that the world said goodbye to Fortuna Pop!, one of the UK’s most ardent gardeners of modern jangle-pop. However, in a bit of good news wrapped inside the bad, the label has one last treat for the faithful. Fulfilling the last obligation on their singles series, they’ve slipped out a farewell card from their roster. Members of Allo Darlin, Spook School, Comet Gain, Joanna Gruesome, Martha, The Ladybug Transistor and Pete Astor (among others) come together like the tweest version of Live Aid the world has ever seen and run through a celebratory cover of Comet Gain’s “You Can Hide Your Love Forever.” While the original 2001 single is a melancholy bit of bliss from a band that was always overdue, the Fortuna Pop! All-Stars version revamps it into a swooning wall of indie pop splendor. It’s a nice period on the works of a label that was a labor of love and a wellspring of taste.

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New Centre of the Universe, Vol 3

While compilations are sometimes spotty at best and label samplers often just cull up material that’s already worked its way through previous pressings and releases, Aussie label Anti-Fade has had a serious run with their New Centre of the Universe series. The first couple found their way to small press cassettes and rounded up unique tracks from King Gizzard, UV Race, Dick Diver, Chook Race, Living Eyes, Hierophants, Ausmuteants, Super Wild Horses and more. Their newest comp expands its scope and makes the move from spools to wax, topping out the LP at seventeen tracks worth of some AF staples, solidified jangle-pop stalwarts and newcomers with great promise.

Packed in the grooves is new fodder from good ol’ Anti-Fade faves like Parsnip, Alex Macfarlane and Vintage Crop, along with new material from South Hemi dusters like Terry, The Stroppies, School Damage, and Exek. But the release is not content to simply lean on the old, familiar names. “Sky High” from Traffik Island is a jangled gem. Geelong’s Gonzo bring the caustic crust and hometown vibes to the label. Billdozer brings some thick riffs and fire fuzz. It’s as accurate a barometer of burgeoning sounds from across the continent as your likely to hear in one place this year. Anti-Fade has long been a favorite label around here and this collection only proves that they’re still kicking through the right dust to find the new sounds.




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