Missed out on this one, sadly due to the announcement running through Instagram and me looking the other way. I live for Bandcamp notifications, get it up there Rough Riders! Now, to the record. I’ve been keeping the band’s TRR EP in pretty heavy rotation on the RSTB radio show and it only grows better with age. The band, which shares members with Natural Child and The Paperhead and has backed up Sean Thompson’s Weird Ears, has been steadily carving out a mellow alt-country crevice from Nashville’s underbelly. The band captures a melancholy wind that tousles the hair of the standard country crowd – ably picking at traditional tropes and applying requisite studio shine, while fitting in with the sunburst strums and pedal-steel melters of Mapache, James Matthew VII, and Tobacco City. The record’s bootlegger stomp and backporch ramble let it sink in and simmer without falling fate to any stereotypes that might befall a band with less inclusive tastes.
While not as compact and consistent as their seamless EP, the room to experiment lets the band play with form. Songs like “Too Drunk” are build on the sing-song lilt of English folk, but dressed in Nudie Suits all the same. They make it work before tumbling back into river-ramble tales of mischief and summer sun fitted with psych’s rosey-hued spectacles. The record breezes by with a smile and a sigh, as if it already knows that the carefree days are bound to end. As I mentioned the real problem stems from an availability for those outside the streaming-system (guilty). I’d love a proper physical issue, so labels worth your weight, help ‘em get a run going. Sometimes you gotta dig the gold out, though, and The Congress of Teddy and The Rough Riders shines up real pretty. Find it where you can and enjoy!
Support the artist. Buy it HERE.