Posts Tagged ‘The Cairo Gang’

Magic Trick

I’ve always loved that Magic Trick is Tim Cohen’s outlet to go full 70’s Tim Buckley. To wander down Gene Clark roadways and flesh out his troubadorisms outside of the bounds and expectations of The Fresh & Onlys. His voice has the easy, mellifluous quality that lends itself to his payday jangle-pop; but its just as comfortable in a dusted blazer, strumming songs alone in a smoke cloud, center studio to be augmented with all manner of accoutrements in post. Fresh & Onlys is a push-pull between Cohen’s gravitas and Wymond Miles’ furrowed tension, but left to their own devices they’re able to amp up their strengths, as is evident with Miles’ stunning turn earlier this year. In his own right Cohen lets Other Man’s Blues shine as a darker corner of his songwriting, feeling far from breezy, the album is interested more in creating a collective enviornment that utilizes the studio as process and as partner.

The album benefits from a huge, rotating cast of players, as Cohen holed up for a week with Phil Manley but invited plenty of friends to drop by and shape the record. The result is less slap/dash than it its the culmination of several secret weapons all converging as one to give Cohen’s songs wings. James Barone (Beach House) and Alicia Van Heuvel (Aislers Set) turn in time and studio Swiss Army knife Emmett Kelly (The Cairo Gang / The Muggers) rears his head as well. The album certainly doesn’t come off as something that went into recording open-ended, but the collaborative spirit gives Other Man’s Blues that right sense of drinking-til-dawn-to-find-the-song that gave life to those 70′ hallmarks of excess turned brilliance. Cohen may have only spent a week hammering out the cramps on Other Man’s Blues but the mindset of month long jaunts and nights spent ’til dawn in the live room take root here, making it feel like someone lost a fortune for us to all find hope in its arms. Even if that’s not the case, the record’s still bigger sounding than most living rooms, cars or headphones can hope to contain and for that I’m grateful.



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RSTB Most Overlooked

So, here it is. Raven has turned 10, which means that I’ve been doing this for a friggin’ decade at this point and I have to say, it hasn’t been a bad ride. With the site’s turn into the double digits it seemed time for a new coat of paint, which you may notice in the form of our new design and move to the proper .com address.

I spent quite a bit of time pouring over the site’s past in the last few months leading up to this relaunch and while I will work to get some larger features going this year, I’m not going to make lists a regular part of the site, outside of the mid-year and year-end wrap ups. I’ve never been a fan of running down rut-worn lists of records based on a loosely tied theme. But…nostalgia begged a bit and I came across several posts on records I thought just never got a fair shake. Its not a list of my best of the last ten years, those you can probably put together yourself from year end lists, rather these are some great records that just never seemed to garner enough yelling about them.

However, rest assured that despite a new look, the ethos of RSTB will remain largely the same. I’ll still focus on reviews that don’t get too gabby, some videos and now a short bit on tracks that are exciting from releases to come. There will still be a focus on the physical formats and prods to buy them, because paying artists for music you can hold in your hands will always be a good idea. So, without further adieu… the list.

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