It seems like just a few months ago that Jersey’s young gun guitar greats Garcia Peoples graced us with their debut, Cosmic Cash. That record, born out of the cutout bin clamor for a resurgence of ‘70s denim draped sounds, was the soundtrack to summer haze in 2018. The band made a strong case for a return to the karmic well, divining the spaces between The Dead, Hot Tuna, Mountain Bus, Mighty Baby, and FAT. Yet, despite the band’s Arakaki brothers barely even scratching this temporal plane of existence when the tape trades swapped to file transfers, the band evokes quite convincingly a headier era, when the way to peace lie in between the woven lines of interlocked guitars soaking up the sun.
They, along with a few other keepers of the Cosmic Cloth who’ve stepped out of the smoke in the last couple of years, have been warding off the sour taste left behind by frat bros soaked in spilled vape liquid and sweat who can’t stop telling you how much better Widespread is in the pocket. Instead they foster an environment of bucolic guitar nirvana that’s a bit sunnier and a touch smarter, zeroing in on the positivity and playfulness one would expect from a band with such a pointed moniker. The new album straddles finely the line of grass between the edge of the city and the beginning of the country. Natural Facts is a still full of the cool breezes that blow as you tumble down that Black Mountainside (see: “Weathered Mountains”) but they’ve added a touch of toughness into the formula this time around. The city seeps up through the cracks in the soles of their shoes, giving the guitars a bigger bite that also soaks the record in a greater sense of relief when the band loses themselves in the roiling waves of dual guitar euphoria that can only be amplified when they’re fleshed out on stage.
Speaking of the stage, the band has already built themselves quite a live reputation, which often makes a hard transition to the record. For any band whose live sets read > like > an > expression > of > equation rather than a bulleted list, compartmentalizing the flow to two sides of wax can prove a challenge. The band escapes for the most part unscathed, eschewing the suite method they’d employed on their last album and giving the tracks on Natural Facts a cap around the five-minute mark. They manage to engross still within these truncated lengths, while making the album flow with the ease of a band used to sewing their songs into an aural tapestry. Short order, if you were on board the train last album, then you won’t be disappointed here. If you’re just now buying the ticket, then Natural Facts will drop you at the edge of the psychedelic veil just as gently.
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