Posts Tagged ‘Garcia Peoples’

Garcia Peoples – “Feel So Great”

Less than a year on from their debut this past summer, Brooklyn’s Garcia Peoples are back at the helm with another burner on the docket. Opener “Feel So Great” lightly pushes aside their penchant for Cosmic Americana to go for the psychedelic burn proper, driving a low-slung riff with the prowess of vets twice their age. The harder edge doesn’t keep the ebullience away – the song opens up to a steam-bath cooldown in the middle before hitching the groove back up for a ride out of town. Yet this is definitely a different side of the band from what was on display on Cosmic Cash. Less of the Dead at play here, replaced by shades of Neil Young’s oft-maligned (and wrongly so) ’90s output, though the band claims that The Who’s sweat-soaked live shows were the inspiration for the song. Still working overtime to make believers out of a generation of jam deniers, Garcia Peoples show no sign of flagging, slumping of sagging on their sophomore outing.


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Mixtape: Goin’ West

Been a while since there was a mixtape up, but these things take time and tenderness. For the latest mixtape I’m taking some inspiration from 2018’s slide towards Cosmic Americana. With albums from One Eleven Heavy, Garcia People, Howlin’ Rain, New Parents and Wet Tuna leading the charge back towards ’71-’72 I though it might be in order to round up some of those West Coast sounds that hit on resonant frequencies to the new crop of smooth players. While most, if not all, have already pledged allegiance to their own favorite boots of The Dead and there’s a communal love for Royal Trux, Little Feat, Crazy Horse and Levon Helm, I thought I’d scoop up some outer-stream suggestions to fit the bill. Ok, sure, I’m cheating a bit with the Flying Burrito inclusion, but despite a wealth of praise from any outlet that would let you listen, that one’s just a great song that fits the vibe.

Travel further down this roadmap of country-tinged, sun-soaked songs from ’69 on and feel the vibes slow down to a simmer for the end of summer. It’s not all West Coast -The Wizards from Kansas were actually from Kansas, Mountain Bus were from Chicago despite longing for the country – but each of these hits on that cosmic view of American psych that cropped up along the coast. It all winds down with one of the germs of the sound, The Charlatans’ “Alabama Bound,” a song that’s often been noted as being the proto-“Playing In The Band.” Artwork inspired by so many Grateful Dead bootlegs. Click below for tracklist and stream.

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Garcia Peoples

As I’ve mentioned previously 2018 seems to be coming into its own with an embrace of the oft scorned jam band. What was once the butt of jokes among the more pretentious contingent of music cognoscenti has been given a legitimate platform. It helps that the genre has been rescued from some of the bro-y trappings that typically kept it down. While the new class still embraces the jam proper, they lean into the free boundaries aspect of the original rumblings of The Dead, rather than, say, the Guitar Center chest puffing and puca shell shambles of bands like Moe or Government Mule. In fact, it’s the embrace of the magic years of The Grateful Dead that seem most prescient, especially in a band named Garcia Peoples.

The New Jersey unit, naturally at home in the live setting, brings their sense of immediacy and experimentation into the studio. The record flickers like a living flame – warm and inviting, but able to scorch if given the chance. They’ve nailed the liquid runs of guitar that defined the Dead’s unifying embrace, while also bringing to mind the second-tier stunners like Mountain Bus, Mighty Baby or Fat. On Cosmic Cash’s centerpiece suite, though, they barrel out of the gate with guitars set to Trux and burn down the barn with little regard for the bystanders. Of course, it all smooths out to a buttery soul by the time they get to the end, with just a bit of a lyrical turn towards cringeworthy on “Cashing Out,” but if anyone was looking to elevate the legacy of Jam to something other than college freshman phase territory, its these guys.

The record is sun-streaked with positivity, and that feeling is utterly infectious. You’d be hard pressed to find a band working in the genre that would be called dour, but Garcia Peoples feel like they’re happiest spreading love via rippling riff. Their debut stands central to the new wave of American Jam and given time they’ll likely go down as a pivotal spark in new attitudes towards Cosmic Americana. For now, though, this is just the perfect companion to ride out the tail of Summer. Drop the needle, fill your drink and let the cooldown shake of Garcia Peoples free your soul.



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Garcia Peoples – “Show Your Troubles Out”

2018 is proving to be something of a renaissance for the typically shunted “jam band.” The term inspires revulsion in so many, but to those with crisper memories of prime-era Dead shows there exists a pang for a higher level of improvisation than wading into the bottom rung puca necked garden variety jammers that clog up college campuses. To that effect, there are quite a few records that nail the good and scrap the bad connotations associated with the term (see One Eleven Heavy, Wet Tuna, Weeping Bong Band, and the return of Howlin’ Rain). Add NJ youngbloods Garcia Peoples to that roster. The band might not have the age range to have had firsthand experiences with the parking lot set but they’re clearly versed in the wealth of prime live boots that float around the internet and given the ability to hear the best of the best they may well have used them as a primer and style guide to the cosmic float.

The band has recently added P.G. Six on keys, who gives a further seal of approval (and enters into a contest with himself for excellent psych jammer of the year with his work in Wet Tuna). What works best about Garcia Peoples is that they feel unrestrained by the walls of the studio on their debut and that shines through on “Show Your Troubles Out,” a track deeply indebted to the groove and stretching out for the highline haze with each starburst jut of guitar that slaloms through the cut. Of course, this one has to have longer legs on stage, but it’s a damn fine argument for Garcia Peoples upcoming stunner on Beyond Beyond is Beyond.



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