Browsing Category Bits & Pieces

RSTB Radio: WGXC – August

Starting in August I’ll have a new monthly radio show on local freeform station WGXC here in Hudson. The station has a long history of great programing and I figure it gives a nice rundown of what’s been on Raven over the month, plus a few old and new surprises. This month I gathered up a whole host of new favorites including the radio edit of the brand new Garcia Peoples’ jam “One Step Behind.” The first show aired last night. Check out the full playlist below and you can listen to the archived show HERE. If you’re in the Hudson and surrounding area you can listen live every second Tuesday of the month on 90.7 FM.

::Playlist::

Paisel – Cause Yourself To Rise, Gong /// Cochemea – Mitote /// De Lorians – A Ship of Mental Health /// Al Doum & The Faryds – Weed & Love /// 75 Dollar Bill – Tetuzi Akiyama /// Major Stars – Out in The Light /// Ty Segall – I Sing Them /// Purling Hiss – Naut /// Traffik Island – 17 /// Olden Yolk – Grand Palais /// Dylan Moon – Hope Dog /// Cool Sounds – Around and Down /// The Reds, Pinks and Purples – Living on Sunday /// Crepes – Life is Fast /// Rat Columns – Astral Lover /// Moon Duo – Stars Are Light /// Doug Tuttle – Fade /// Hans Chew & Garcia Peoples – Shouldn’t Have Took More Than You Gave /// Garcia Peoples – One Step Behind (radio edit) /// Sean Thompson’s Weird Ears – Time Has Grown a Raspberry /// Teddy and the Rough Riders – Goldmine /// Edgar Broughton Band – Piece of My Own /// Allah Las – In The Air /// Rose City Band – Fear Song /// Wet Tuna – Goin’ /// Jeffrey Alexander – Beowulf’s Trip /// Ash & Herb – Salt Lick /// Elkhorn – To See Darkness

0 Comments

Thigh Master – “Mould Lines”

Brisbane’s Thigh Master issue their second LP on Goner and its a bright shot of jangle for 2019. Their debut had a great deal of promise and Now For Example clearly makes good on it. The first taste of the album is the rollicking jangler “Mould Lines,” which jumps off from The Bats and Clean footprints with some kind of wicked glee. Spinning its hooks ‘round and ‘round in the sun, the song’s underpinned with the shaggy split ends of post-punk, but more often it’s reveling in the indie-pop tangles that run wild at its heart. The record hits the shelves September 27th.



Support the artist. Buy it HERE.

0 Comments

Fabulous Diamonds – G.B.H.

This is not a band I’d expected to return to the fore. It’s been seven years since Melbourne duo Fabulous Diamonds issued their sorely overlooked Commercial Music. They’re still crawling through the murk, turning creeping menace into dub-flecked ambient anthems. “G.B.H” is lost in a miasma of haze, pulling bits of twisted John Carpenter synth through a fog of fear and doubt and dread. The band has always threaded the outskirts of pop, finding doors in that no one thought to explore. This album sees the band jump to A L T E R, who are quickly making an imprint picking up all manner of experimental impulses at home and abroad. The band’s last was actually the subject of Ripley Johnson’s Hidden Gems, feel free to check that here. The new LP arrives September 20th.



Support the artist. Buy it HERE.

0 Comments

Wayne Rogers on The Plastic Cloud – S/T

It’s been a year of greats in Hidden Gems lately and rolling down the list of psych luminaries for contributors, the latest sees Wayne Rogers (Major Stars, Crystalized Movements, Magic Hour) take a turn looking inward for inspiration. This year has already seen Rogers add to his legacy with a solo LP on his own Twisted Village imprint and a new Major Stars on the way from Drag City next week. The guitar work of Rogers can be seen making an impact all over recent accolytes, from the cinder n’ smoke of Feral Ohms to the ragged grace of Wet Tuna. Wayne turns back to his earlier years with Crystalized Movements for a psych nugget that pushed his own boundaries. Check Wayne’s dive into the one-off wonders of The Plastic Cloud.

Continue Reading
0 Comments

Garcia Peoples “One Step Behind (Single Edit)”

It would be disingenuous to say that Garcia Peoples rise over the past year has been anything short of impressive. Following their sophomore LP for Beyond Beyond is Beyond in February they’ve become staples of the live circuit in NYC (a quick dig through Archive.org or NYC Taper will confirm their prowess in the room). They’ve opened a slew of dates with Chris Forsyth and Kurt Vile, fleshed out their sound with the help of new permanent member Pat Gubler (Wet Tuna, P.G. Six), cut a lightning crack studio session with Hans Chew, and now they’re onto their second album of the year. Some might think the second helping would leave the band wanting for material, but it’s a goddamned smorgasbord at the Garcia’s house and we’re all invited. Taking their improvisational prowess from the stage to the reels, the band is issuing a 32-minute epoch of a title track that brings Guitarist Tom Malach’s father, Bob on board for a deep dive through space jazz that upends everything you’d expect going into a new Peoples record.

Diving deeper into the mercurial depths than they ever have before, the band eschews their usual groove to get lost in a bit of the cosmic wilds for a patch. Malach, the elder, used to knock down sessions with everyone from Miles Davis to Arto Lindsay to Stevie Wonder so this is no nepotism knockout, this is a familial team-up for the ages. Ah-ah, but you’re gonna have to wait until the full platter’s out of the oven to hear Bob’s double overdubbed sax goodness. Right here is the radio edit, a line closer to what they’ve been playing live for the track. Heard this the other night when they opened for KV and it hit just as hard — the band workin’ up their own “Playing in the Band’ alchemy. They sync up in full symbiosis, playing off of one another with the veracity of players with twice as many trips ‘round the sun and its a delight to watch.

The band’s Danny Arakaki peels back the curtain on One Step Behind’s origins. “We had a great time recording this track,” grins Arakaki. “Many highlights involved. One being, Tom’s dad, Bob Malach, coming to the studio to lay down the sax tracks (which you’ll hear later on the full-length album version of the song) and after killing it, casually saying, “fooled em’ again.” Great to see Tom and his dad work together. Every time we make the trip out to Black Dirt Studio we end up finding new sounds too. That has everything to do with the way Jason (Meagher) works with us. Positive vibes all around. Enjoy the changes and ride the tune.” The record lands October 18th on Beyond Beyond is Beyond. Best be ready.

Support the artist. Buy it HERE.

Continue Reading
0 Comments

Kelley Stoltz – “Turning Into You”

New burner on the line today from Kelley Stoltz. The San Francisco institution (20 years going with this release) continues his run of great solo LPs, while also serving as a go to engineer (Rays, The Mantles, Rat Columns) and sideman (Echo & The Bunnymen). His touring with the latter has definitely rubbed off a bit on his songwriting, but he’s spun the influence into some excellent New Wave-refracted pop tunes that crib the jangle and crunch of his early garage days and land his hooks with a softer blow. He’s back on Spanish outpost Banana & Louie, who also issued his 2018 record Natural Causes. Stoltz has a pretty heavy catalog to wade through, but this sounds like its shaping up to be one of his great ones. Check the first taste of My Regime below and look for it out next month.



Support the artist. Buy it HERE.

0 Comments

Ryley Walker Presents Imaginational Anthem, Vol. 9

When acoustic guitar haven Thompkins Square first came to the fore in 2005, they began with a series called Imaginational Anthem which sought to shed some light on overlooked entries to the fingerpicked oeuvre. They’ve cycled through a few (or 9 to be exact) and as of 2010 the series began to look into more contemporary players with one artist doing the curating. This time around its generational mouthpiece and all-around jack of all genres Ryley Walker doing the picking. He’s gone deep into his bench of contemporaries for a set that includes faves like Mosses, Fire-Toolz, and new BBiB signing Kendra Amelie, who shares the first track from the comp. Check out “Boat Ride,” a decidedly more acoustic affair than her upcoming longplayer, but no less captivating or technically astounding. The comp is out September 20th.





Support the artist. Buy it HERE.

0 Comments

Moon Duo – “Lost Heads”

Another gem drops from the new Moon Duo record and this time its a headier bit of ballast than the last time around. Where the title track to Stars Are The Light sparkled with enough shimmer to warrant its title, “Lost Heads” is a deeper dive into what Moon Duo do best. The track pulses with rhythm — hot, humid, palpable — but it also drips with the usual streaked condensation and liquid guitar intensity that the band’s been known for. While this album is pushing closer to the disco vein this time around, this is not the track for the floor, or at least the dancefloor. This is more of a lying on your back, staring at the ceiling, trying to come down affair. Moon Duo have built a legacy on splitting the veil between darkness and light and this is one of those tracks tottering on the knife edge they wield so well. Still very excited to have these guys playing the site’s upcoming 13th anniversary in November. Check back for a new announcement on that next week. Good news a’comin’.




Support the artist. Buy it HERE.

0 Comments

Wet Tuna – “Goin'”

Couldn’t be more excited to have a new Wet Tuna up for grabs this morning. The last one hit hard, or it least it should have if you had the right kinda ears last year. This time the pairing of Matt (MV) Valentine and Pat (P.G. Six) Gubler is back to track your midnight ride into the subconscious, sub-dermal subject matter. The vibes are heady already as “Goin’” wafts into the room — the kind of molasses-milked twilight track that can hit just right when the brain’s in balance and the air is still. This is the core of Tuna — a humid seep of sound, a breath on the air that realigns the vibrations in the ether. “Goin” gets into the pores and never leaves.

Matt gives a little insight into how the track rose to the surface, “WET TUNA is wild & fun place for me. Pat & I have a language that seems to be unique to us…we don’t really talk about it and i reckon in many ways that’s what makes it cool. Anyway, that’s how it went down, via the jam, and how most of our music flows, we turn on the tubes and the tapes roll. I distinctly remember doing 3 “takes” of “goin’” — all with John Moloney on drums — he and i have been preserving it for a long time and the couch is flambeau comfy. He brought a pretty skeletal kit to the session, which was at my “Green Extension Studio B” in Vermont, and we left a lotta space. It’s a tight room. We tracked guitars live with drums and kept everything. Pat used a synth wah effect, I plugged in a Vox repeat percussion and Mutron. we used Gibson & Fender amps, did the vocals together in one or two takes. The lyrics came to me in a semina vision. Pat dubbed mellotron. it was around 4:20 in the afternoon, seriously, but it coulda been round midnight. Sunshine winter warmer…we had some Guinness in cans outside the window in a hanging pot from the night before, code name “water the plant” to grab a round. Pretty sure there were two left and we poured ‘em slow.”

New LP, Water Weird hits the shelves October 11th from the incontrovertible crew at Three Lobed.

Support the artist. Buy it HERE

Continue Reading
0 Comments

Possible Humans’ Steve Hewitt on bZARK – The Welcome Storm

If you’ve spent any time haunting the halls of RSTB you’d probably notice that I have a soft spot for Australian indie. While most of their countrymates have been mining the offbeat jangles of The Clean or the scratched punk proddings of Toy Love, Possible Humans have taken a scrape through some American alternative highlights – Dinosaur Jr., Volcano Suns, R.E.M. – and come out with a sound that’s payed homage to the era without becoming a complete love letter. Their debut was issued in a scant run of 200 on the great Hobbies Galore and now gets its own US / worldwide issue on Trouble in Mind. Steve Hewitt from the band sent over a pick for the Gems series and it shines some light on an Aussie nugget from his youth.

Continue Reading
0 Comments