Wooden Shjips

With certain types of recreational drug use, or even meditation for that matter, there’s a point when the subject becomes detached from their current surroundings – a shift in time, an outside looking in feeling of calm introspection that lets slip the boundaries of pressing matters. In this stasis, somewhere between numbness and bliss, exists V the latest record from Wooden Shjips. The band seems to toss around that this is their “summer record” and to be sure there’s plenty here that compliments the staunch humid nights of mid-August swelter – Ripley Johnson’s guitars dripping through layers of wet reverb like condensation down a can, tempos slowed to a molten crawl, and bass that can’t be contained by rolled tight windows. More than merely a seasonal accoutrement, though, this record is a balm, a respite, a state of mind – or in the spirit of summer – a vacation from the current mudslide of daily life that threatens to consume us all.

With V the band has softened the focus on its trademark sounds – the fat, motorik rhythm section that slaps like waves against the breakwater, the sunlight suffused guitars that sparkle and ripple in equal measures and Johnson’s vocals that billow and diffuse in a cloud of vapor overhead. The enveloping warmth of this particular iteration of the band has added a few new moving parts as well. Are those strums peeking out of the haze on “Already Gone?” Were there always this many slinking keys in the Shjips’ universe? The vacation vibes bring on a prog haze that holds over from the lighter half of Moon Duo’s last experiment in duality and it feels like a missing puzzle piece found under the couch, perfectly cut to relieve the anxiety that was created in its absence.

Along with Cooper Crain (Cave, Bitchin’ Bajas) the band has created a perfect headphone record, adding further to the escape hatch mentality of the album. The aforementioned elements dance across the headspace in sketchbook animation while the bass acts as a barrier to the worries, realities, information overload and creeping dread that’s become a constant weight in 2018. For forty-two blissful, nebulous minutes Wooden Shjips let the listener breathe before the waters rise again. Best to gulp in a few last breaths, drop into the airtight bunker b ‘n b of sound and enjoy because those waters show no signs of slowing any time soon.





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