More greatness out of Australia’s feminist punk underground, fast becoming the vital vein in a scene rife with the kind of buoyant energy that makes us Yanks feel like slackers incarnate. The debut from Wet Lips, out on the band’s own perfectly named Hysterical Records, is as fierce an LP as you’re liable to encounter this year. In the same vein as bassist Jenny McKechnie’s Cable Ties, the band takes the boys club to task, flaying the Y chromosome contenders with their own double standards and bullshit regard. It’s not so much a rallying cry as it its a statement of purpose, a manifesto made flesh in electric current, laying the hot wire down in your own puddle of nervous flop-sweat and set to fry.
The band pins their detractors to the wall, nailing them all as “just another faker in a Bad Seeds t-shirt.” Lord knows there’s no way their targets don’t deserve a dressing down and then some, but Wet Lips aren’t just here to throw insults without a foil chomped punk pedigree to back it up. The trio pack their debut full of hardened, nail-bitten barrel-rolls that lock in and bare down to the bitter end.
Grace Kindellan’s vocals crack with just the right amount of seismic fervor, dredging up a lineage that brings to mind the impeccably named C86’ers We Have A Fuzzbox And We’re Gonna Use It, doubled down with the entirety of Olympia’s feminist punk oeuvre. Sadly, Americans will balk because Wet Lips aren’t rolling through Iowa, and somehow we gotta see it to believe it. But be forewarned, hesitate and you’ll miss this seething slab of youth, a vital strain of punk that can’t be beaten, bowed or bent. If you’re reading this, it’s already to late, Wet Lips have cornered the market on raised hackles and grit-perfect riffs. No way you’re gonna get crush harder than this.
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