Julian House again picks up his mantle as The Focus Group, spreading Radiophonic frequencies out into the ionosphere with precision, ingenuity and a glint of madness in his eye. The crux of The Focus Group has always acted like a high pressure drill, tunneling through human consciousness and presenting the core sample of childhood fears and delights alongside the useless ephemera and practical static that gum up the works in the average human brain. There’s bits of pop magic stuck in the mix here, but its littered with the lint of noise and jumbled into an organization that would befit a Burroughs cut-up.
Still, despite the chaos, he manages to evoke the low wattage flicker of a bare bulb projecting animation through cellophane on the walls while you sleep. Stop-Motion Happening moves like dreams, drenched in half-remembered facts and saturated with colors almost too rich for human consumption. This is the magic and the terror that House evokes. He’s a mad scientist of memory, plowing past the surface scratches that the likes of The Books, Boards of Canada and his own collaborative muses, Broadcast, have made their bread and butter. His approach, fittingly, is more on the level of visual art than that of musician. The album feels like it might easily soundtrack a gallery and have a dozen or so accompanying pieces that fit all these sparking wires together.
That dreamlike quality also puts him in league with film Auteurs like Michel Gondry, another artist trying desperately to capture the moment between sleep and awake. House’s work evokes the disorientation of signals that get trapped inside our many heads. He’s filtering and processing the data but it’s hard to figure out what’s noise and what’s important. That conundrum, in fact, seems to be the root of modern anxiety. House has put his finger squarely on the flashpoint of modern madness – what goes, what stays, where to look next, who to believe in all this? He’s not offering a rubic, but he’s at least showing us that someone else is having as much trouble quashing the noise as we are.
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