The ranks of the Sub Pop Singles Club are always a good place to keep an eye, and usually a good bet to go in blind when they announce. The label embraces the edges of what they’d normally consider for full releases (through sometimes I wish this embrace would extend beyond just a one-shot 7”) and they shine a light on some of the more deserving artists in their sphere. Last year’s series is now getting out in to the physical world, but that also means those who didn’t go all in can still grab the digital delights as they come piecemeal. Yesterday saw the release of two RSTB regulars and both are in fine form.
First up is a new single from longtime faves Kikagaku Moyo. The band lights into a searing cover of “Gypsy Davey,” and English folk traditional that’s been most often associated with Sandy Denny’s version. The band, rounded out with vocals from Kandice Holms (Bells), gives the cover a good nod, mixing the earthen smolder of the original with a bit of their own psychedelic smoke. On the flip they enter the folk-tinged whisper of “Mushi No Uta,” which laps at the listener with a gorgeous simplicity and tender soul.
The label sweetens the release day with a new single from Aussie’s Terry as well. The band has been pretty low key since their 2018 full length I’m Terry only releasing a short and sweet EP last year. “Take The Cellphone” hits all the right sweet spots for Terry – as post-punk throbber that’s tinged with a squeamish pop sense and winking all the way. The b-side’s an instrumental with a laconic feel, despite its rather political title, “Debt and Deficit Disaster.” The song’s a slow creeper, but as with anything from the band, its no throwaway. Both singles are great shots for the series, though I’d think that along with the earlier inclusion of Minneapolis’ Uranium Club, all of these could welcome full lengths from these bands into the Sub Pop roster.
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