These days the most potent indie emanating from Australia is coming from the ranks of Anti-Fade, no question about it. The label continues their winning streak in 2019 with the debut from Melbourne four-piece Program. The band’s sound is rooted in the tangled punk ends of Pavement, the twang-tipped offerings of Toy Love and even a touch of Go-Betweens’ pop romanticism, but the band stews it all together without letting one flavor favor the top end. There’s even a beefed up whiff of what The Verlaines were aching about, though to be fair Program pair their strums and lyrical pining with a more gnarled and snarled sensibility that gives these songs a rib-sticking quality. They seem so versed in the cross-hairs of Aussie / Kiwi lore that the result is an instantly classic album that feels like its been kicking around the racks for years, just waiting to be plucked from cracked-case obscurity in dollar bin hell and put into regular rotation on the speakers.
The album’s got a breezy effortlessness that doesn’t come off cocky, just surefooted. The players have been knocking around a few other hook-knackered bands in their tenure (mems belong to The Stroppies, The Blinds, Meter Men, DARTS, The Faculty) and their collective consciousness channels the best qualities of their tangential projects into a potent sonic slap. They shuttle between wounded janglers and cock-eyed Aussie self-deprecation with ease and slip on into something harder, licking at the boots of power-pop without ever quite completing the jump. There’s a ‘90s nuance to what they’re doing, but it doesn’t come off as overtly backward tumbling or nostalgic, just reverent about sorting through their influences and making ‘em stick. There aren’t too many stateside that are finding this same uncanny valley and making it their own, though Omni, Uranium Club, and The Hecks come to mind, and Program can hang right next to any one of those bands. I’ve said it before, can’t lose with an Anti-Fade record, so don’t fight it. Get it on the table as soon as you can.
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