Bitchin’ Bajas / DSR Lines – The Encyclopedia of Civilizations Vol 2: Atlantis

Abstrakce Records continues their series of tonal explorations of ancient civilizations. Following the first installment from April of last year which saw Jonas Reinhardt and Jürgen Müller (aka Norm Chambers in full ‘80s synth mode) attempt their take on the cradle of Egypt, the series moves from myths to legends with DSR Lines and Bitchin’ Bajas exploring the lost civilization of Atlantis. As might be expected watery synths rule the day here, at least as pertains to DSR’s side of the split. Working through improvisations on Buchula 200 and Serge Systems synths, Belgian artist David Edren nails the shimmering quality of underwater sounds. This could work handily as a high-minded backdrop to an oceanographic exploration doc, though its just as easy to imagine “Panorama” or “Lineage” as the environmental ambiance of an advanced and submerged people. With “Deluge” Edren scratches through the serenity to add a feeling of rising anxiety – cracks in the glass, tectonic swells or the encroaching poisons of the surface perhaps. Whatever the worry, Edren makes it feel real and immediate, like a civilization running out on their years of solitude and preparing to fight for their way of life.

Cooper Crain and crew take a slightly different tack on the Bitchin’ Bajas side. Rather than capturing the feeling of life from the Atlantean side theirs drops instantly into a burbling scientific haze, capturing the whirring instruments of exploration searching for the legends that pockmarked their illustrated children’s compendiums. There’s a sense of swelling depth – present here through increasingly felt throbs of bass that undercut the sparkling wonder of synths capturing dazzling dials and flashing lights that wouldn’t be out of place in a ‘70s sci-fi epic. The Bajas nail a Kosmiche sense of wonder that’s just as liquid and dazzling as their counterparts on the flip.

Together the two sides make up a gloriously deep and inviting environment that nails its goal of evoking otherworldly enclaves under the ocean. Doing the listener one better, Abstrakce goes for high marks with packaging, adding letterpressed sleeves and a thick booklet exploring the myths of Atlantis for reference. All in all a gorgeous piece that’s proving exactly why the large format is worth the price of admission – physical and tactile to its core.




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