Posts Tagged ‘drone’

Kandodo – “King Vulture”

Bristol trio Kandodo, which features Simon Price (The Heads) and John McBain (Monster Magnet, Desert Sessions), return to the fold this week with the announcement of their latest album, K3. The first cut is a floating bit of drone shimmer that’s buoyed by a serene video by Sanae Yamada (Moon Duo, Viva La Void). “King Vulture” builds on a slow creep of quasar-crusted euphoria that crushes itself slowly over the course of six and a half minutes of bliss. Check the video above and keep an eye out for the band’s latest on Rooster Rock June 21st.

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Tengger – “See”

Today there’s another dip into the languid pools of Tengger’s upcoming album for Beyond Beyond is Beyond. The drone-prone family band’s sound is build on synths, harmonium and toy instruments but its all works out to some serious bliss bath excursions to another temporal plane. The band’s music is intertwined with their travel and “See” is no exception, taking its name from a particularly affecting morning hike.

The band explains that “the title “See” is from German language, “der see”, which means lake. (so it’s a bit of a play on words, see der see… ^-^;) When we were doing the Shikoku Pilgrimage (ed note: a multi-site pilgrimage of 88 temples associated with the Buddhist monk Kūkai on the island of Shikoku, Japan), one day we visited one shrine and one temple in the morning, near from one huge lake called Mannoike Manno Lake. We were watching the sunrise on the lake for quite a long time. The music of “See” is from that moment. We set the title of the track to “Mannoike” at first but changed it to “See”… seeing nature’s variations, when we did the Shikoku pilgrimage.”    

Pretty much the entirety of the band’s upcoming LP, Spiritual 2 evokes this kind of commune with nature and it should appeal to fans of Cluster, Emeralds, or Tangerine Dream. Dip in and take a listen below.



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Craig Leon – “The Gates Made Plain”

Craig Leon continues his exploration of imagined extraterrestrial information left behind in early African civilizations and spread across the globe. Volume 2 of “The Canon” expands on his 2014 collection of interplanetary folk tales that coupled his groundbreaking work Nommos with its follow-up Visiting. The new collection is vibrating on the same brainwaves of resplendent bliss and shimmering meditative psych and new cut “The Gates Made Plain” captures the essence of what Leon’s been building over the years. The track is draped in drones, pulsating with a ripple of percussion, and hung high with a sense of inching anticipation. The new volume is out May 24th from RVNG, Intl. Check out the video for the track below, which features visuals from Leon’s touring show directd by Milton Melvin Croissant III.



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Centrum

Hooked into the drone consciousness of decades of Swedish psychedelia, avant-rock rumblings from across the Atlantic, and progressive nodes from the cosmic German gardens of the ‘70s, Centrum delivers their debut in thrall of the thrum. With members of Hills and Weary Nous in their ranks the duo starts with a solid pedigree. The pair turns För Meditation into an album of deep tissue drop-out that slots alongside contemporaries Myrrors as much as it hooks into the free-psych pastoral history of International Harvester or Träd, Gras och Stenar. Winky umlaut aside, the title’s not just for show here, this is some serious altered state psychedelia, built on a bedrock of harmonic rumble that the band uses to explore molten fuzz guitar runs, mystic organ rituals, and strings that run through Eastern waters.

There’s certainly a meditative state at work here, but the band doesn’t shy away from burning down their temples as well. Tracks saw into the psyche with an insistent OM, but blossom into doom-draped visions of slow-motion destruction by album’s end. The record is fittingly nestled among the lysergic legions of Rocket Recordings, contending nicely with their lineup of higher burning trip makers of late. För Meditation winds up more than its advertised price of inner peace and metronomic pulse, the album is a proper heir to the Swedish sects of psilocybin truth seekers and sweat lodge assassins.



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Curved Entrances – “Inscribe In Night”

Phoenix’ transcendental psych collective The Myrrors have birthed a new offshoot this year (two actually, but just gonna focus on the one for now). Guitarist Nik Rayne and drummer Grant Beyschau have drawn in The Night Collectors’ Connor Gallaher to form a trio that boasts similar vibes to their own brand of sweat lodge psychedelics. Gone is the sawed violin, though and instead the band locks into the séance slithers of deep-set drone – meditative, monolithic, and ultimately boiled into a guitar maelstrom that’s slipped out of time and into a zone beyond what they’re laying down in their flagship band. The first release as Curved Entrances offers up two side-long runs of improv insanity in extremely limited runs from Carinal Fuzz. Check the five-ton freakout “Inscribe In Night” below and snag one of the remaining LPs while you can.



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ML Wah – “Santal”

New deep vibes today from Matt LaJoie, who downplays his guitar in favor of creeping drones, midnight creaks of percussion, keys, and brass as “Santal” unfolds slow and sacred, rising from the deep like smoke through a fissure. There’s a touch of Turkish folk in the mix, but at its core the track exudes bayou vibes – a humid, hungry creep of eyes, rough scarred scales, and scattered bones. When LoJoie’s guitar finally surfaces through the haze, it slithers through the slick with a possessed gate, ambling and roiling against the thick air. Contrary to some of his tighter works with Ash & Herb, Herbcraft, and under his own name, this record comes closer to the peyote pulse of cosmic entanglement – dislodging itself from the yolk of traditional song format. LaJoie and label Flower Room invoke Don Cherry comparisons, and that’s not a bad place to start or finish, to be quite honest. Very interested to see how the rest of this one shapes up. The record is out May 24th and comes in some choice deluxe options.


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The Spacious Mind

Long running Swedish psych unit The Spacious Mind are still mining the edges of lysergic consciousness after fifteen releases and counting. The band’s been scratching at the surface of the sun since 1993, and their latest on Essence Music sees the band working through longform pieces of aching dread. They rise out of the mists with “The Cinnamon Tree,” a haunted dirge of psych-folk that pairs mournful guitars with the scrape and scuttle of bells and percussion – feeling like Loren Connors rinsing his licks in Ash Ra Temple’s altar. The 13+ min opener builds to a peak of mossy graveyard aura, threatening to burst open with riffs that melt the stones and burn runes along the entry, but the band keeps their restraint, giving the song a tension of dread that lumps in your throat the whole way through.

They throw out form altogether for a mid-point track that amps the clatter up to a din – smacking sticks into a hectic racket – before flipping on the throb of guitar growl to push their pallor of daunting dread even darker than the opener. They resolve into gaunt, bitten guitar works with shades of Evan Caminiti strung throughout the skeletal second offering, before finally lighting that aforementioned torch on the album’s closer “Creekin’ At The Goose.” The band hurtles into the piece, amp-scratched and clawing at the cords. There’s a whiff of ozone and a metallic taste to the formless riffs that squelch from the speakers, before the band settles back into their haunted desert caravan, crawling towards death or transcendence or both. Clock this one alongside that Ulaan Passerine album from earlier in the month for album’s that weave guitar scorch with apocalyptic dread. If this is your first taste of The Spacious Mind, don’t make it the last. Dig deep, but start here.






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Centrum – “Stjärnor”

Great new track today from Centrum, the Swedish duo comprised of members of Hills and Weary Nous. The band’s ethos centers around meditation, and while “Stjärnor” does have a meditative thrum to it – built from sawing violins, organ drones and the slow amble of drums – the track doesn’t shy away from the psychedelic melt either. Much like contemporaries Myrrors, and by extension , Träd, Gras och Stenar and International Harvester, the band builds slow tsunamis of souund, with “Stjärnor” crawling towards the ignition of guitar that burns the track down by its close. The cheekily titled För Meditation is out April 19th on Rocket Recording.

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Modern Nature – “Supernature”

As I may have mentioned before, I was saddened when Ultimate Painting not only folded last year, but also pulled their final album from release. It was a masterful pop album that deserved light, even if its creators were sent splitting in two different, irreconcilable directions. All is not lost, however. While UP has been consigned to the land of wind and ghosts, the two creative forces behind the band are, in fact, inexhaustible hubs of musical fare. It would seem that Jack Cooper is already onto his newest venture, releasing three new tracks as Modern Nature.

With a mutable lineup, that here includes keyboardist Will Young, drummer Aaron Neveu (Woods), cellist Ruper Gillett, and saxophonist Jeff Tobias (Sunwatchers), Cooper sets out to conquer a considerably more expansive end of the musical spectrum than he has dabbed in in the past. With a heavy investment in modal psych, the new EP embraces Cooper’s previous touches on psychedelic pop but drops through about six layers of mind fuzz further into the frosted ether for a sound that’s build on circular drones, sweat lodge sax hallucinations and a quasar-nudging foray into psychedelic chakra expansion. Its a surprising heel turn, but a welcome one nonetheless . Check the first track, which tops out around twelve minutes of cosmic float. The EP is out on Bella Union, March 22nd.

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Laaraji & Lyghte – Celestial Realms

In the past few years Laraaji has gone from something of a tightly traded name among New Age heads, experimental aficionados and yoga practitioners to a roundly celebrated artist with a wealth of material seeping back out into the reissue world. With entries into RVNG’s FRKWYS series and a collaboration with Brian Eno and Bill Laswell, he’s not light on stature, but it seems the current hunger for respite has driven the master of the zither further out into the light. There are plenty of points of entry for the curious among a catalog that’s decades deep, and none are more appropriate than his 1986 album with longtime collaborator Jonathan Goodman, aka Lyghte.

The original version of Celestial Realms was released to tape by New Age label Spirit Music, and it gets an upgrade here via Telephone Explosion’s brand-new offshoot Morning Trip. The album is two side-long tracks that delve deep into meditative trance. Lyghte provides the hypnotic bedrock that pins this to the mind – wavering and low, like the slow lap of a river. He leaves the sparkle to his foil Laraaji, who dazzles atop the drones with his Zither, bells, and guitars that predict the coming of Sun Araw’s psychedelic wobble long at a time when Stallones was more into silly putty than psilocybin.

The album is perfect not only for fans of vintage drone or New Age, but for those captivated by the dropout knockouts of more recent times – Emeralds, Kevin Drumm, Stars of the Lid fan take note and listen deep. It’s a great inaugural release for the fledgling label and perks my interest to see when Morning Trip goes from here. Whether you’re already scooping up the new and old issues from this NY legend or just want to unwind, a copy of Celestial Realms might be just the trick to block out the constant clatter of 2019.



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