Earlier in the year The Myrrors Grant Beyschau issued a tape on Avant-Unity Music and it finds its way back into the world via a vinyl issue through Cardinal Fuzz and Feeding Tube this month. While the set shares a sense of exploration and cosmic consciousness with The Myrrors, the Tambourinen nods into a much more German Progressive zone than the ragged folk harmonics of his mainstay. The title track pushes the release into the heavy waters that are tread throughout, letting a nodding rhythm take control and with fuzz leads peeling the paint from the walls while a dousing of flutes cool the temperature somewhat. By the time the track lands in the clearing its left the turbulent sway for a life in the ethers, kicking cosmic dust back and forth between the speakers. The feeling stays on for the following track, “Wollensak,” an iced sluice through the quasars for that cleans up the rhythmic fray nicely.

Beyschau isn’t done with the tumult, though, the album’s other extended cut “Power To” returns right back to the fuzz-ravaged dirge of “Wooden Flower” and carves out a bit more space to let the album burrow into hypnotic headspace. The flutes are supplanted with sax hers and their burn permeates the consciousness deeper into a copper stained vision of drop-out meditation. The album caps off on a folk note that’s slightly incongruous with the deep-core jams that precede it but its a nice, slight nod back to The Myrrors and their frayed ends. This was a nice pickup by the labels and deserving of a vinyl press — a tape seems a bit under serving of the scope of flay that Beyschau can lay down.

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