Never a dull moment rolling out of the Australian scene these days and Primo are testament to that. The trio (recently expanded to a quartet with Amy Hill of Dick Diver) pins down a portion of post-punk that relies on sparse aesthetics, driving bass lines and a dash or two of jangle to get their message through. Their debut, Amici, focuses on rat race drudgery, as referenced cheekily in the band’s business attire on the cover. They posit another world for themselves where accounts receivable is the only option and office blocks spring up like prison walls. But the group knows that every suburb’s got an underground leaning back against that dreaded slide into routine. They churn their unrest into knuckle-cracking percussive snaps, guitar lines itchy as wool on a summer’s day and harmonies that band them together against the ebbing edge of boredom and rote living.
Even with its lyrical lashing of the system and perpetual pining for a life less taupe, the album comes off with a softer impact than many of their post-punk peers. They’re pushing back against the ballast of suburban expectations but the album lands with a collective sigh rather than a defiant scream. Where others are reaching for the acerbic trappings of Young Marble Giants, Bush Tetras or The Slits, Primo take a page out of twee and affix pillowy three-part harmonies to their twitching instrumentals. The approach lures listeners in before setting things straight with their screeds on societal weight.
At a scant twenty-two minutes the record is just a shot over EP territory, but the band makes good time out of their brief spin around the table. They aren’t tearing the system down outright, but they’re here for the rest of us work-a-day nobodies looking to break out of data entry and see who’s coming with us. In a year that’s been pock-marked by post-punk it’s a nice take on the genre that’s helped in no small turn by some excellent hooks and a good dollop of cheeky charm.
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