Posts Tagged ‘Primo!’

Best of 2020 (so far)

2020’s been a hell of a year, and one that doesn’t feel like definitive statements do it justice. Still, no matter how many seismic changes have occurred during the year, the music has been a source of solace and inspiration. The fact that so many artists have had their livelihoods upended gives it a slightly sour note, especially for some that may have been working years to let these statements out into the world. Keep hitting the Bandcamp revenue shares to support artists and labels directly. If you need some suggestions there’s quite a few below. Keep in mind that ‘best’ is by no means definitive, but these are some of my favorites. We all know that Run The Jewels hits hard, but someone else is gonna tell you about it better than I ever could. Still lots to look forward to musically in the second half, but the first part of the year has been a bounty to be sure.

Continue Reading
0 Comments

Primo!

Aussies Primo! only strengthen their hold on me with the release of their second album for Upset The Rhythm — a cracking burst of post-punk that’s somehow both tightly wound and about to unravel at the same time. The sound is raw, not underproduced by any means, but not shined to please the masses either. The chords whack into the listener, crunching bones like a solid piece of timber broken in two —jagged but effective all the same. Aesthetics aside, the band’s got a good grip of hooks under the hood and they drive Sogni as hard as their last album. The guitars stretch with elasticity, crunch with a crinkle, drive breezily and then stutter-stop with glee. The bass comes atcha from all sides, formidable but still hungry. The band’s sound has space built in and nothing suffocates, even if it dominates. Tack on some three-part harmonies that jostle just a bit atop the whip-crack of drums and the album feels like its been hiding in the stacks for more than a few years.

That’s the real charm, and one that they’d employed on their last album as well. Primo! know their influences and they wear them well. The album could easily slip between the shelf-worn brittleness of Kleenex, Oh-OK, and Pylon but they don’t commit to one corner of the post-punk playground for too long. The sound skips from the pogo-pop of “Machine” to the rubber-legged saunter of “Rolling Stone” and never sounds out of sync with itself. The band shares two members with Aussie upstarts Terry, and there’s certainly a crossover appeal, but they come out like a softer, slyer version of the pop upset created within the confines of Terry. The lowered barriers make it a more sinister sister album to Terry’s last. Once inside the confines of Sogni the band’s no less cutting but they’ve already burrowed under your skin and once they’re in there, its impossible to shake ‘em.




Support the artist. Buy it HERE.

0 Comments

PRIMO! – “Machine”

Another gem out of the Aussie cabal of excellent musicians today. In anticipation of their upcoming second album, PRIMO releases the driving jangler “Machine” — a sandpapered, yet loosely slung bit of post-punk if there ever was one. The band’s seemingly perfected their sound on this one, and it stands as one of the band’s most engaging songs yet. The standout single crackles with life — anchored by the brittle drum snap, worn-in guitars and those four-part harmonies that make it all gel just right. The band pairs the song with a motor-heavy video that has a ‘70s charm. There are plenty of Aussie exports that tend to get overlooked here and PRIMO’s last album got glossed over here, hoping that audiences abroad don’t make the same mistake twice.

Support the artist. Buy it HERE.

0 Comments

Primo – “Best and Fairest”

So many 2020 stunners on the way and this new track from Aussies Primo is a solid killer. With members of Terry, Constant Mongrel, and Sleeper & Snake in their ranks, the band is already poised for interest around here, but the fact that their last album was a low-key constant on the turntable doesn’t hurt either. Chugging on a meaty strum, “Best and Fairest” draws parallels between life and sports, noting how those who play the game with a moral compass don’t always wind out with the cup at the end. The track picks up where their last LP left off — wound wire basslines, hummable harmonies and that slight twinge of squelch in the background. They pick at the spare end of the post-punk spectrum (Young Marble Giants, Oh-OK, Confetti) but they pull away from the aloofness of those bands just a touch and back towards a softer punch. While parallels between Terry and Primo certainly arise (with two crossover members), in truth Primo are like a complimentary pairing with the band — a fine wine that makes the flippant sneers of Terry wash down nicely. Their sophomore LP, Sogni lands on Upset The Rhythm / Anti-Fade on April 17th.



Support the artist. Buy it HERE.

0 Comments

Mixtape: This Is Aus

Ok please allow one more year-end indulgence here in the form of a recap mixtape. It should no longer be a surprise that I have a sweet spot for Aussie indie, and as the genre has made up so much of the site’s direction in the last year, I’ve decided to round up some of my favorites into a massive mixtape that should keep you busy for a few hours and serve as a primer to those looking to break the seal on their Aussie pop habit. Plenty of usual suspects arise in the label department here with representation from RSTB favorites Bedroom Suck, Anti-Fade, Lost and Lonesome, Poison City, Hobbies Galore, Milk! Records, Flightless, and Tenth Court alongside internationally friendly harbors like Trouble in Mind, Upset The Rhythm, Share It, Kanine, and Emotional Response. There were plenty of offerings to love this year from the South Hemi, so get cracking on that listen. Click below for tracklist and stream.

Continue Reading
0 Comments

Primo!

Never a dull moment rolling out of the Australian scene these days and Primo are testament to that. The trio (recently expanded to a quartet with Amy Hill of Dick Diver) pins down a portion of post-punk that relies on sparse aesthetics, driving bass lines and a dash or two of jangle to get their message through. Their debut, Amici, focuses on rat race drudgery, as referenced cheekily in the band’s business attire on the cover. They posit another world for themselves where accounts receivable is the only option and office blocks spring up like prison walls. But the group knows that every suburb’s got an underground leaning back against that dreaded slide into routine. They churn their unrest into knuckle-cracking percussive snaps, guitar lines itchy as wool on a summer’s day and harmonies that band them together against the ebbing edge of boredom and rote living.

Even with its lyrical lashing of the system and perpetual pining for a life less taupe, the album comes off with a softer impact than many of their post-punk peers. They’re pushing back against the ballast of suburban expectations but the album lands with a collective sigh rather than a defiant scream. Where others are reaching for the acerbic trappings of Young Marble Giants, Bush Tetras or The Slits, Primo take a page out of twee and affix pillowy three-part harmonies to their twitching instrumentals. The approach lures listeners in before setting things straight with their screeds on societal weight.

At a scant twenty-two minutes the record is just a shot over EP territory, but the band makes good time out of their brief spin around the table. They aren’t tearing the system down outright, but they’re here for the rest of us work-a-day nobodies looking to break out of data entry and see who’s coming with us. In a year that’s been pock-marked by post-punk it’s a nice take on the genre that’s helped in no small turn by some excellent hooks and a good dollop of cheeky charm.



Support the artist. Buy it HERE.

0 Comments

Primo! – “A City Stair”

Primo’s “A City Stair” is a buzzing, taut swath of jangle that’s quickly jumping the band up the list of Melbourne bands that should be on your radar. While the group had me at shaggy Melbourne post-punk, add in a crossover members who’ve spent time in Terry and The Shifters and its a sealed and signed deal. The track rumbles along on Amy Hill’s hungry bass line then takes a few zig zags through breathless guitar, trading jangles and jabs in equal measure. Bringing it home, the track melts down with a organ outro that shades the track nicely for a firm finish. The band’s album, recorded by RSTB fave Al Montfort is an absolute gem. My recommendation is to get on this one quickly. On one of the most solidly satisfying labels going, Upset The Rhythm. If you’re around EU/UK catch the band out, including a date with the always excellent Sauna Youth



Support the artist. Buy it HERE.

0 Comments