Sharing members with The Twerps and Boomgates puts The Stevens in good company, but though they echo traces of the current new wave of Aussie bands, the group also taps into classic leanings in a bigger way than many of their compatriots. Trading out lo-fi grit and soft focus production for a tougher skin of meaty hooks and power pop thump alongside the requisite bag of jangles, Good is rooted in an alternate ’70s where the radio eschewed the sexual sweat of blues-baiters for a good dose of post-punk and anxiety.
As with their previous album, A History of Hygiene, brevity isn’t in The Stevens’ wheelhouse. This one clocks in with eighteen tracks, though to be fair that actually pulls back the reigns a bit on the last one’s twenty-four piece spread. They make good use of the material, though, using their songs to explore corners of their sound without feeling too much like they’re in need of an editor to put the indulgences in the bin. Plus, when the band is on, they’re on, threading the needle of angst with just the right amount of brain battering earworms. A solid sophomore effort that skirts the slump and puts The Stevens up on the chain of Aussie bands to keep your eyes on.
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