Posts Tagged ‘The Stevens’

Alex MacFarlane – “Planetarium Nights”

While there are plenty of great Aussie indies to keep on radar Hobbies Galore seems to be kicking up the dust quite nicely this year. With releases by Stroppies, Blank Realm and a tape issue of the debut Green Child album, there’s quite a bit of talent to be had. A cornerstone of the label, however, has been solo releases from Alex MacFarlane a fixture in Twerps, The Stevens and Teen Archer. The latest 7″ sees MacFarlane working through jangle-pop structures with prog-blocked overtones. There’s a slight dissonance that doesn’t always pop up in his other works, but at the core this is still prime Aussie jangle that’s a testament to MacFarlane’s prowess.

Standouts “Good With Little Numbers” and “Starter People” push this way beyond solo sketchbook fodder, proving that MacFarlane has plenty of hooks in his back pocket and a warped sense of pop that burrows under the skin. He fleshed it out with instrumentals that writhe and twist with synths and curls of noise. While I’d never balk and new Twerps or Stevens material, this release in particular begs for more from the artist solo. This one’s slipping out quietly but that’s no excuse to let it slip by completely.

Support the artist. Buy it HERE


The Stevens

Sharing members with The Twerps and Boomgates puts The Stevens in good company, but though they echo traces of the current new wave of Aussie bands, the group also taps into classic leanings in a bigger way than many of their compatriots. Trading out lo-fi grit and soft focus production for a tougher skin of meaty hooks and power pop thump alongside the requisite bag of jangles, Good is rooted in an alternate ’70s where the radio eschewed the sexual sweat of blues-baiters for a good dose of post-punk and anxiety.

As with their previous album, A History of Hygiene, brevity isn’t in The Stevens’ wheelhouse. This one clocks in with eighteen tracks, though to be fair that actually pulls back the reigns a bit on the last one’s twenty-four piece spread. They make good use of the material, though, using their songs to explore corners of their sound without feeling too much like they’re in need of an editor to put the indulgences in the bin. Plus, when the band is on, they’re on, threading the needle of angst with just the right amount of brain battering earworms. A solid sophomore effort that skirts the slump and puts The Stevens up on the chain of Aussie bands to keep your eyes on.

Support the artist. Buy it HERE.