Somewhere near the roots of New Zealand post-punk lie the early singles of Nocturnal Projections, eking life into a scene that would blossom within Island’s small scene. Brothers Peter and Graeme Jefferies formed the band in 1981, years before they’d lay down acerbic tracks as This Kind of Punishment. After they parted ways, Graeme would fulfill his destiny in The Cakekitchen and Peter would skew solo, but this was where they began in earnest. After a smattering of bands like Plastic Bags that didn’t catch hold the brothers found a fanbase with Nocturnal Projections’ driving, anthemic sound. Hardly celebrated in their tenure, except by locals who were lucky enough to catch them on stage at their favored haunt, The Lion Tavern, or opening for The Fall and New Order in hometown gigs. They came to further prominence in the ‘90s when European label Raffmond issued much of their collection on CD under the title of their incendiary b-side, “Nerve Ends In The Power Lines.”
That comp, along with the legacy of both This Kind of Punishment and The Cakekitchen, served to bolster the band as a touchpoint for younger post-punk bands, and with good reason. Though the band is often compared to Joy Division, they’re cut from a slightly sunnier cloth, strapping on vocals that touch into Ian McCulloch territory. Their output revels in dark overtones, and an admittedly grimier production than their UK counterparts, while sparring widescreen hooks with propulsive bass. Now, Dais has finally put the band’s three official releases – the Another Year 7” + a S/T 7” and S/T 12” – together onto a collection of complete studio recordings. The collection marks the first time that all three are back on LP since 1983, giving collectors of the rather pricey singles a handy primer on the band’s most lasting works.
In addition, the label has also issued a collection of studio rarities and bonus tracks as a separate LP, which works well, rather than bloating out a release with diehard fodder the two LPs serve as both a toe into the band’s world and a definitive pairing for those who have long sought out the band’s discography. Fans of any of the Jefferies’ projects would do well to jump in here and those with a soft spot for UK post-punk of the same era will find a welcome kinship in the band’s complete works.
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