Starting in 2009 guitarist Willie Lane issued a run of albums on his own Cord-Art label, ranging from fingerpicked folk to ragged blues. The albums, Known Quantity, Guitar Army of One and A Pine Tree Shilling’s Worth all seeped out quietly and went out of print quickly. Thankfully Feeding Tube have sought to correct the scarcity of the originals with a run of reissues over the last couple years and they’re now drawing that to a close with a new version of Pine Tree, which might be the best of the bunch. The LP is far more electric than the other two in the trilogy, leaning in heavily to the ragged blues and experimental feel of the series. The record isn’t tied to genre or feeling, but explores a shifting sense of sound that’s as rooted in the Takoma take on folk as it is in the dirt-caked Philly scene that would surface years later. Lane acts as a bridge between eras and does so without any whiff of overthinking. The pieces on A Pine Tree Shilling’s Worth flow with a loose ramble that weaves between the roots of the now snow-soaked Pioneer Valley.
Lane has been an integral part of the latest wave of psych-folk froth, not to mention the one before it, having collaborated with Elkhorn, Matt Valentine, Meg Baird, Samara Lubelski, Specrte Folk, and Espers over the years. Having this trilogy of releases back in print is a vital link between where Lane has been and where he’s headed. There’s word that another LP is on the way, so perhaps this last reissue will be preamble to the next node of his songwriting. Personally, I’m quite interested in what’s next, though 2019 itself is packed with Lane hallmarks. Besides this reissue, you can hear him on Elkhorn’s Sun Cycle/Elk Jam and Valentine’s Preserves album. If you’re just starting in on his works, I’d recommend beginning with this one and then diving backwards.
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