Now I’m not sure how your brain works, but for me, there are definitely some trigger words that pop up in descriptions that beg a further look. Staple a phrase like, “bizarre hidden synth-ridden psychedelic concept pop” to “short-run demonic religious performance” and file it under the genre Italian Library Music and I’m all but sold. Now, is this just the beady-eyed crew at Finders Keepers baiting me? Not so! Their reissue of Stefano Marcucci’s lost piece of esoteric psychdedelia warrants a pretty hefty exploration. The record was commissioned for a short-run theatrical project, but after hearing the score composed by beat group member Marcucci, the staff at Flower records saw potential beyond its religious audience.
This being the time period of quasi-religious rock opera of all shades, I honestly don’t blame them. The late ’60s and early ’70s had a predilection for bending the bible to their own Earth-child whims and, why not take a performance of that ilk and funnel it into one more piece of Godspell-gumball machine fodder? Well, the Italian is probably a stopping point for most, but Marcucci has a way around gospel-swung psych-folk. It’s those synths that take it to the next level though. The composer gives the straight pipe organ its place, but peppers in an early version of the Minimoog to the proceedings, giving it a swell of ’70s grandeur that befits his hybrid vision. The band backing up the record is tight and the choral pieces waver between stately and hippie ho-down, making this a perfect combination of time period and talent. It’s got something for the heads, something for the saints (if your Italian is on point) and something for the Library aficionados to ponder over.
Support the artist. Buy it HERE.