House and Land


Sarah Louise, fresh from the opalescent vision of her solo LP earlier in the year, is back in league with her folk foil Sally Anne Morgan for a new album under the House and Land banner. As with their last album, the duo makes a sizeable impression with a palette of sparse folk on Across The Field. They exhume traditional folk songs from another time, but much like fellow traveler Jake Xerxes Fussell, their delivery doesn’t feel antiquated. There’s a timelessness inherit in their work, blending their more experimental sensibilities with the weathered and worn material to soothe the heartache of the modern music listener. They’re running Elizabeth Cotton through a Loren Connors filter – finding the starkest kernel of folk and blues and baking it in the sun.

The album leans directly into sorrow, choosing songs that are steeped in a sadness that resonates across eras. Morgan’s fiddle is strident, holding court without showing a shred of lost love, but the pair’s voices can’t help but hang with a delicate dourness. The weight of years pulls heavy on these songs and House and Land etch them straight into the skin, turning the soul to scrimshaw and laying out the burden of decades in intricate detail. The songs on Across The Field seep into every pore on first listen, but they don’t suffocate. They may be achingly sad, but they never seem to wallow. Instead, as the album comes to a close the listener is purged, washed clean of longing and lowness – each rinsed away in the stream of strings and song that the pair have poured out through the album. Their sophomore release proves the pair are brilliant interpreters of song, and you’d do well to get acquainted with them.

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