There are plenty who have embraced 80’s jangle as if it were the dominant paradigm of popular rock, with a zest that’s bordered on mission statement in some corners of Brooklyn and London. Flying Nun is held high. C86 is a bible. But to do it well, it can’t all just sound like a retread of greatest hits, and London’s Flowers have found that sweet spot between sounding like they could have lived alongside their influences and pushing the sounds of those legends a bit further. The band’s certainly versed, setup with the prerequisite totems of their 80’s education, but they’ve taken swooning pop, light ‘n sweet jangles and the fuzz-bitten layers of guitar and stacked them into the shape of a future classic.

I wrote about a Flowers lathe way back in 2012 and its hard to believe this could be the same band. They hit all the right marks to make a record that feels like its been sitting, just waiting to be found all along. Everybody’s Dying To Meet You sounds like its soundtracked a thousand heartaches before it ever reached my ears and now its here to wrap a comforting arm around the speakers and nod comfortingly. There’s an art to making a timeless record, and after finding myself playing this almost unconsciously day after day, it really feels like its got the hallmarks. Something about Rachel Kennedy’s vocals just hit home like a pang of nostalgia cramped into the pit of the stomach that aches sweetly, like having a crush on the past. They put the extra scoop of authenticity on the record by enlisting Brian O’Shaughnessey (The Clientele, Primal Scream, My Bloody Valentine) on production duties. He’s pushed the band into the mold they seemed destined to inhabit all these years. This one is topping out my list of 2016 obsessions.

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