Whew, now comes that time of year when its time to scrabble through the missed connections on the review list and this one comes out pretty high near the top. A re-invigoration of Pascal Nichols and David McLean’s Cornered Yet Climbing collaboration, this time with the help of Nichols’ partner in Part Wild Horses Man on Both Sides. The output here is a broken daydream of free jazz, wandering from mournful howl to full bite in the space of mere minutes. Adding to the flashing fangs of McLean’s sax are Jones’ ephemeral field recordings and flute, which weave through the clattering sonic tapestry set down by her two collaborators expertly. Her flute especially treads between ceremonial tribalism and folk serenity without ever making either style feel worn. The expanded trio finds its footing easily and though the length of these pieces is pretty heavy, bordering on intensely lengthy, the whole record plays as such an engrossing backdrop that its hard not to get sucked into the players’ world rather than see it as a necessarily surmountable listen. The record is expertly anchored by Nichols’ craggy, fluid drumming and his skill at finding the inroads in these pieces to drive pace and add texture is fairly unmatched this year. This is one to beat in the noise/free category and along with that Heroin in Tahiti release, this is a good year for the edges.
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