Posts Tagged ‘Leah Senior’

Best of 2020 (so far)

2020’s been a hell of a year, and one that doesn’t feel like definitive statements do it justice. Still, no matter how many seismic changes have occurred during the year, the music has been a source of solace and inspiration. The fact that so many artists have had their livelihoods upended gives it a slightly sour note, especially for some that may have been working years to let these statements out into the world. Keep hitting the Bandcamp revenue shares to support artists and labels directly. If you need some suggestions there’s quite a few below. Keep in mind that ‘best’ is by no means definitive, but these are some of my favorites. We all know that Run The Jewels hits hard, but someone else is gonna tell you about it better than I ever could. Still lots to look forward to musically in the second half, but the first part of the year has been a bounty to be sure.

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Leah Senior

Capturing the sun-faded ease of the ‘70s has become a bit of a genre unto itself of late. From Drugdealer and Weyes Blood, to Foxygen and The Lemon Twigs, there are plenty who seek to hitch their hammock in the light of post-Laurel Canyon vibes of reclusive solitude and worn-leather comfort. For her third record on Flightless, Leah Senior lets slip out another entry to that canon, and one that’s quite a welcome addition. She’s been no stranger to folk that leans towards the macrame decade as she’s been simmering low-key among the less ferocious names on the Aussie imprint’s roster. She’s played the troubadour aptly. Yet, with The Passing Scene, she’s found a new niche between confessional poetics and a lusher sound that pulls her off of the solo stool and into a studio sound that conjures thick wood panels, tapestry draped lamps, and a soft curlicue of smoke rising from behind the glass. There’s a verdant wooded aura to the record that taps into not only the Valley’s lineage but the valley itself.

Lyrically the album hits on some of the same imagery that would have marked her ‘70s influences, from the lovelorn dreaming of Baez and Mitchell, to the sunset sighs of Sweet Baby James and the slightly religious psychedelia of Judee Sill. In fact, the latter feels like she has a large thumbprint in Senior’s songwriting, merging an often reclusive personal nature with a clear talent for orchestrations that makes her songs soar much further than the studio walls. Like Sill, no matter how well-crafted the trappings around her, Senior’s voice remains the magnetic draw, and she uses it well to form an album that’s drawing her out as an artist to keep tabs on. Between this and the excellent album from Grace Cummings, it seems that loudness and Lizards aren’t all that Flightless has going for it.



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Leah Senior – “Evergreen”

Aussie enclave Flightless Records has long been an enclave of explosive psychedelia, but the less raucous nooks of their catalog also hold some excellent folk and soft-psych releases that are no less affecting. Grace Cummings, The Babe Rainbow, pre-2020 Traffik Island, and Leah Senior occupy this space well and nod to a lost-era of folk that’s faded around the edges. The latter has just announced her upcoming third LP The Passing Scene, out June 12th and the first single from the album seems to be hitting the same Kodachrome crush feelings as Weyes Blood, Drugdealer, or Bedouine. An airy ‘70s Laurel Canyon quality inhabits “Evergreen,” making it nostalgic, but also familiar, like it might have always been creeping around the stereo. “Evergreen” is indeed a perfect title for the song. Check out the Renaissance-draped video above. No purchase info is lurking about yet, but as with the limited editions of Flightless releases, probably better to snap this one up quick when it does post.

Support the artist. Buy it HERE (when available).

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