The debut from Free Time, the Melbourne via NYC via now Melbourne again band surrounding songwriter Dion Nania, was a breezy bit of jangle-pop that hinted at the sadness below. On his follow-up, Nania digs the songs further into that inherit sadness, feeling rooted in an aimless wander quality that’s both lost and reflective. Begun with Jarvis Taveniere here in the States with his NY band and finished back home in Australia with a new band comprised of friends from Twerps, Totally Mild and Terrible Truths, the record is tighter than its predecessor, and its easy to see how some of the current US strummers; Real Estate, Kurt Vile, etc have made their mark on Nania’s own take on the jangle formula.
Flecked with some soft rock sax and buoyant keys, the album’s a fuller realization of Nania’s pop worldview, not as threadbare as the first, but still feeling like its a world away from overstuffed indie-pop. There’s space that hangs in the songs here, adding to the shaggy sheen that gives In Search of Free Time a presence, humming in your ear like a good friend. There’s actually something in the vocal delivery on songs like “Who Owns The Moon?” that remind me quite nicely of Hunx’s stripped pop curio Hairdresser Blues. Like that record, this one has a confessional quality to it and the feeling of listening to Nania letting us in on his bittersweet sighs is one of a willing shoulder rather than observant therapist. We’re there with him and we all feel his pain, and share a beer in solidarity. Its a big step up from Free Time’s debut and one that’s grown some real legs around here.
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