Posts Tagged ‘U.S. Girls’

Badge Époque Ensemble – “Sing a Silent Gospel”

This week’s just packed with RSTB faves and news of another Badge Époque Ensemble LP is pretty high on the docket. The band’s debut was an undersung jazz-psych odyssey, but it was the last 12” that really caught hold and it was in no small part because of the contribution of vocals from Dorothea Paas, who returns here in a duet with U.S. Girls’ Meg Remy. The band retains their exploratory psychedelic jazz touches, letting poly-rhythmic percussion, cold-sweat organs, and a cool down of sax lead the way. Remy and Paas add a touch of ice water to the veins of the track with banter that’s feeling out the shape of the infinite. For some this might dip into the more ‘adult’-oriented, buttoned-down end of the ‘70s but that’s discounting the smolder that the band creates. Don’t let the smooth taste fool ya, BEE hits hard. This is no lite-jazz parlay, it’s a continuation of filtering deep between Herbie and Stevie and mapping out the outer edges of the soul while they’re at it. The stakes are a bit heavier that on their debut, but with the flute fluttering through the air, I’m down to embark on the journey. The record is out 11/20 on Telephone Explosion.



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The Cosmic Range

Its such a packed year, that as we enter the mid-point its time to go back and sweep out some of the great releases that got lost in the cavalcade. That includes the sorely under-appreciated sophomore LP from Canada’s Cosmic Range. The band, much like their close contemporaries in Badge Epoque Ensemble, is comprised largely of players who found themselves in and around the backing band from last year’s U.S. Girls release. Featuring the likes of Matthew ‘Doc” Dunn and Maximillian (Slim Twig) Turnbull, the record scratches a familiar itch that claws at the crux of jazz, psych, and funk. The band is dipped and doused in the hash den Ashram of ‘70s Miles Davis on his run between the Brew and the Corner. They’re beset with the same shakes that lit up the nerves on Nation Time and they’re weeding out the same calm collective gardens that Alice Coltrane tended.

There’s more than a little hazed quasar space rock floating in the froth as well and the band pulls the throttle way back for the disquieting loneliness of “Eyes for Rivers” before they spark back up for the double barrel burn of “The Observer.” Rhythm is a constant throughout the album, whether tapping out a tender cosmic sendoff or bringing the punishing pound of a polyrhythmic puzzle. The band’s clearly comprised of seasoned vets bouncing their highest beta wave wobble among the collective consciousness. The record is a heady hit, blown through with psychedelic sax n’ wah fried guitar grooves that’ll sate the most ardent heads out there. If you’ve heard the tangential works that the players have cropped up on, then it should come as little surprise that the alchemy is strong among this bunch. Highly recommended that you lock in and let this one wash over you.




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Badge Époque Ensemble – “Undressed In Solitude”

Centering around the works of Maximillian “Twig” Turnbull (formerly Slim Twig), Alia O’Brien (Blood Ceremony) and a host of live players who’ve been backing U.S. Girls on the road over the past year, Canadian collective Badge Époque Ensemble creates a heady mix of jazz, psych, tropicalia and prog. The last U.S. Girl album was noted for its expansive sound and blistering live show, much of which is owed to the players here. Along with Twig, the band stretches out hitting the sweet spot of ‘70s soul-jazz under the sway of pharmaceuticals. On lead single “Undressed In Solitude” the band adds the vocals of James Baley to give the affair a midnight aura. The track stretches past the eleven-minute mark and fully embraces the boundless visions of Isaac Hayes’ unrestrained late ’60 / early ‘70s run. You just know this one is going to kill on stage. The record is out June 7th on Telephone Explosion.




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