Posts Tagged ‘Turner Williams’

Elkhorn

The second installment of Elkhorn’s snowed-in sessions from last year strips away the electricity and effects, but with the cords cut the session only delves further into their dark night of the soul. Acoustic Sessions conjures up a relaxed vision of something previously posed in the electric setting, but here its no retread, but a tap into their similar apocalyptic folk vision, kicking at the dust bowl barrens just after the amps have gone dry. Working repetition and stark minimalism into a psychedelic experience that puts the echoplex away and turns up the inner turmoil, the Acoustic Storm Sessions create something of a haunted introspection that cycles ‘round and around in the brain with the three players pushing their stringwork through meditative moments that tapped isolation before it was cool.

Passages feel like they come from several planes of sound at once, pulling gently for attention before another player’s fingers rack the focus back. The set is split into two side-long improvisations, with the first more biting than the second. They stir up the ash and bone with side-A, letting the wounds heal a bit with the healing of Side-B. That second side wafts into a tender territory — resolute, exhausted, mindful of the flow of the aural conversation the guitars share. The strings find tension and twist on the record, but just as often they find a sort of solace solace over the winding trip laid bare here. This is one of those releases that’s stunning for the fact that it wasn’t even the focus of the sessions. This is the second wave, but its no less accomplished than the first — a bonus session that’s hardly cutting room worthy.




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Elkhorn – “Electric Two (Part B)”

Elkhorn’s latest is a longform exploration of improvisation, set to tape with the band’s friend and collaborator Turner Wiliams one snowy night, shut in from the outside. The band’s releasing bits of the two sidelong pieces in the runup to the album release and they’ve let out one of my favorite portions today. Paired with a dizzying time-lapse, “Electric Two (Part B) locks the duo’s guitars with a sonorous drone — with the strings playing against one another like overlapping winds in the storm that raged outside the windows, the biting cold as constant as the oscillating tone underneath. As acoustics give way to the chemical burn of electric fuzz, the track brings on that familiar feeling of doom that’s woven between the bars of Elkhorn’s works from last year. This is vital, raw piece of work that’s among their best. Check out the video above and look out for that LP on 2/7.

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Elkhorn – “Electric One (Part B)”

Its been no secret around here that Elkhorn issued one of the year’s best LPs, but the pair proves that a towering achievement such as Sun Cycle/Elk Jam is only the beginning of a productive streak that takes them far into 2020. Cloistered with their friend and collaborator Turner Williams after a snow storm cut short that night’s show the three embarked on a lengthy improv session that resulted in two side-long flights of fingerpicked ripple, ozone-smeared electric singe and Williams’ meditative runs through electric bouzouki and shahi baaja. I’ve seen Turner work that bouzouki when he laid out some improvs with Jesse earlier in the year and it’s a sight to behold.

The result of these sessions is a record that burrows deeper to find the cosmic thread than ever before. As we are again encased in the sort of ice that birthed these pieces in the first place, it seems only fitting now to light this candle for all to see and shine it out into the world. This is Elkhorn finding the thread at the center of the universe and spooling it out into ribbons of psychedelia, spiritual jazz, meditative float, and Kosmiche. The Storm Sessions arrives February 7th on Beyond Beyond is Beyond.



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