Posts Tagged ‘Tim Green’

Ezra Feinberg

I’ve shared a bit of this new LP from Ezra Feinberg, but the album’s really not something that can be parsed out into bits and pieces. Feinberg made his mark in the sorely undersung band Citay, fusing guitar flash and virtoistic playing with a sun-baked good nature that was way ahead of the Cosmic Americana curve that’s reared its head the last few years. He’s since taken to more Kosmiche waters, with a stunning LP in 2018, Pentimento and others, which he’s ably expanded upon with the rippling Recumbent Speech. Now navigating territory smoothed by Terry Riley and canonized by the German synth set — think Harmonia, Cluster, or Rother’s solo works – the new territory suits him. Naturally there’s the stamp of Eno as well, but with Tim Green, Chuck Johnson, Robbie Lee, and Jonas Reinhardt in tow, Feinberg is building soundworlds of his own that recall the light spirit of Citay, but embrace the new age with wide-open eyes.

While the mood is serene, Feinberg has plenty of rhythm at play on the album. As with his previous outings his string work often creates a loping underbelly to tracks, but he’s meshing the repeated phrases with the soft skitter of drums that range from whispered shapes of a pulse to prog and jazz touches that feel at home with their ‘70s precursors. Most welcome here is the pedal steel of Johnson, who uses it to shade in the songs with a darkness that cools off the abundant ease of the album. Feinberg’s compositions use their players as subtle, yet essential layers. Even the vocals of Mandy Green and April Haley are woven between the cataclysmic crumble of “Ovation,” one of the album’s true highlights. With his previous outing, Feinberg set the stage for this new chapter in his output, but with Recumbent Speech he’s crafted a cosmic high water mark that should be touchstone for anyone looking to elevate minimal records for years to come.




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Rosey Dust

While its unlikely that Kevin Klausen is a name rolling off your tongue, the sense of familiarity on Rosey Dust’s debut is palpable. You don’t know Rosey Dust, but you know Rosey Dust’s record collection. There’s a sewn-in feeling that’s threaded with the spirit of American indie rock, pounding out wistful strummers, power pop solos, and guitar-grained angst and ennui that would serve as a syllabus intro to the late 80s and early 90s. Recorded with veteran producer Tim Green behind the boards, the record laps at Dinosaur Jr.’s string-strangled bite and the Replacements’ hangdog charm. The album doesn’t shy away from the disillusion that permeated the times either, mulling the meaning in empty aches and lingering feelings of loneliness. Klausen keeps his influences on his sleeve, but he colors in the lines well.

The single that slipped out in April “Keep For Life” takes its place alongside a complete collection of left-of-the-dial dalliances that seem set on bringing the guitar back to the fore as a personal crusade. Klausen’s always waiting to hit those solos, but like Mascis he makes ‘em count. They feel like anchors rather than albatrosses around his weathered indie odes. The set slips away into the late night linger of low-end radio static with a Chris Bell-ish sigh into acoustic territory. Tape is out on Gulcher records. It’s a tight, 8-song sojourn through what is and what never was. Definitely one to keep an eye on.






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Rosey Dust – “Keep For Life”

Over two sides of his debut single, Kevin Klausen channels The Replacements, Teenage Fanclub and post-Big Star Chilton with the zeal of a tried and true acolyte. There’s ripped denim and sweat baked into “Keep For Life” – a roughed up track that feels most in debt to The Mats’ legacy of roadworn, dustbowl American rock n’ roll. The flip enters a bit of tenderness into the equation, softening the lights on the verses, but still laying into the guitar like an ‘80s kid enthralled with the long tail of the ’70s, yet ducking the FM strains that dominate the right of the dial. Klausen’s clearly waiting for the solos in each track, itching for his time to show off and, while it works well in these two tracks, its easy to see how two long sides of the same could begin to wear on the anticipation index. Its a nice first stride, albeit one that stands squarely on the shoulders of giants before him.



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