Posts Tagged ‘School Damage’

Hierophants

Aussie squirm-pop savants Hieorphants landed a propulsive chunk of post-punk on the chin of 2015 with their album Parralax Error. While the band issued a few singles before and after, its largely the last we’ve heard from the band until a surprise resurfacing this month on Anti-Fade. Spitting Out Moonlight is as twisted and taut as their previous effort, squeezing strains of synth-pop, jumbled jangle, and post-punk pounce into thirteen packed tracks that squeegee the soul. The band, which contains members of ORB, School Damage, The Frowning Clouds, and Ausmuteants revels in knocking the listener off their axis, while at the same time, providing just enough of a blistered beat to shake a dose of dance out as well.

The record benefits from a cache of strong songwriters, and while the needle vacillates through genres pretty freely, it all comes together like a lovingly curated mixtape adorned with shades of crushed velvet, plastic, and chrome. Peeking through the haze, the synth wobble of tracks like “Thoughts of Speech,” and “Carbon Copy” give the album a glue-huffed giddiness that’s immediately wiped to the waste bin by bent tin tangles guitar on “Memory Card,” and there are even a few prog-pegged whiffs that come seeping through the floor boards on opener “Shoemaker Levy” and closer “Everything in Order” with the latter taking the winked patter of Daevid Allen to heart. Its good to have the band back as they solidify their catalog with a sophomore platter as vital as the first. Who knows how long it’ll be before the stars align and a third hits, so enjoy this one while it lasts.



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Mixtape: This Is Aus

Ok please allow one more year-end indulgence here in the form of a recap mixtape. It should no longer be a surprise that I have a sweet spot for Aussie indie, and as the genre has made up so much of the site’s direction in the last year, I’ve decided to round up some of my favorites into a massive mixtape that should keep you busy for a few hours and serve as a primer to those looking to break the seal on their Aussie pop habit. Plenty of usual suspects arise in the label department here with representation from RSTB favorites Bedroom Suck, Anti-Fade, Lost and Lonesome, Poison City, Hobbies Galore, Milk! Records, Flightless, and Tenth Court alongside internationally friendly harbors like Trouble in Mind, Upset The Rhythm, Share It, Kanine, and Emotional Response. There were plenty of offerings to love this year from the South Hemi, so get cracking on that listen. Click below for tracklist and stream.

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RSTB Best of 2018

So, it seems that 2018 is finally coming to an end. It’s been a hell of a year by most standards, but musically its been damn entertaining. Perhaps its fair that there’s some bright spot in all the chaos. Not to diminish the chaos, but when the negativity is at an all-pervasive fever pitch, its feels good to have something to hold onto. I’ll choose to remember 2018 as a banner year for music and for the birth of my second daughter rather than the year that page refresh politics threatened to give me an ulcer any day. Below are my favorite albums of the year, taking care to highlight some that might otherwise get forgotten. They’re in (quasi) alphabetical order with no other particular weight on the list. Keep your eyes out for a few more year-end features this week before I reset for the new year. As always, thanks for sticking with RSTB for these 12-odd years or so.

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School Damage

Oftentimes when a debut hits a particular sound on the head so well, there’s a nervousness approaching the follow up to see if that solid connection can be repeated when the band comes around to taking the next swing. On their debut, Melbourne’s School Damage found the woozy, wobbly ground between art-punk’s nerve-damaged tempos and the spare class of post punk that counted Pylon, Young Marble Giants and The Units as alumni. Jumping into their sophomore LP, they pretty quickly dispel any lingering worries. “Assimilate” starts off strong, but by the time they hit the carnival careen of “Psychick Damage” they’re doing laps around any band that’s attempting to wrangle up and repeat the same strand of influences.

The band’s Jake Robertson and Carolyn Hawkins have a deep bench of wobbly pop favorites in their pockets, which speaks well to the Internet’s ability to let a couple of Aussie’s get their hands on US/UK rarities with relative ease these days. Though access isn’t synthesis by a long shot, and the pair’s ability to pull from the nervy nooks of the ‘70s and addled ends of the ‘80s and kick out consistently brilliant gems is laudable. The pair still tag team the vocals and each singer lends a different shade to the record, with Robertson bringing a slightly tempered version of his cracked glass approach in Ausmuteants and Hawkins channeling a more silken cool that works well with their less is more approach to space and sound.

If anything, the record bests their debut, fanning the spark they scratched last year into a flame. A to X, gleefully explores the post-punk road less traveled. Without the sinewy shades of angst that often infect the genre, the band has time to explore the unease, anxiety and aloof discomfort of the bands that handed them down the sound. That they do it with a creeping catchiness and seemingly rapid ease makes this a record that’s impossible to ignore. If you missed their opening volley last year then catch up quick because School Damage shows no signs of slowing their domination of the itchy underground.



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Jake and Carolyn of School Damage on Tommy Jay – Tall Tales of Trauma

Though I’ve been a fan of both Jake Robertson (Ausmuteants, Alien Nosejob) and Carolyn Hawkins’ (Chook Race) individual projects, they’re often at their best when they come together as School Damage. The band embraces a raw, yet catchy form of post-punk that finds a through line from Young Marble Giants to Wire and Television Personalities. The two songwriters balance each other out in their reach for grit vs hook, so with that in mind Jake and Carolyn team up for a joint pick in Hidden Gems. The pair both harbor a love for Tommy Jay’s Tall Tales of Truama, aMidwest lo-fi treasure that’s sure to have eluded most.

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School Damage – “Meeting Halfway”

School Damage swing in with their second single off of the upcoming A to X and it solidifies this as one of the top tier releases to get excited for this summer. The track’s a Jake-led ripper charging in high on a swell of keys and backup coos. It’s proof positive that the band has wrapped up post-punk and jangle into the perfect pop package for hot weather hi-jinks. Sweetening the pot is an excellent stop-motion video that’s an aesthetic match for the song’s off-kilter pounce. Much respect to the band’s Carolyn Hawkins for the time-intensive process it must have taken to get this together. If this record isn’t on your list of pre-Fall necessities then rectify that immediately. The LP’s out at the end of August on Chapter Music.

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School Damage – “Assimilate”

In further proof that 2018 will be bad on my wallet, good on my ears, Melbourne’s School Damage have a new album on the way. Their sophomore LP for Chapter Music starts off with “Assimilate,” a slightly less bare bones take on their New Wave / Post-Punk bullseye that usually sees them working the wires of Young Marble Giants, Galaxo Babies and Devo into a nervy pile of art punk. The band still cuts Exacto angles out of pristine pop, tacking their guitar shards to staccato beats and pillowy synths that refuse to sit still. This time ‘round though the band is filling up every corner of the composition, fleshing out the edges with a bigger sound that’s a step removed from their brittle, yet charming debut. In particular Carolyn Hawkins (see also: Parsnip, Chook Race) fills the ‘phones to the brim with her barbed accusations and those synths buzz like a wasp’s nest rendered out of cotton candy. Can’t wait for the rest of this one to come tumbling down the line, but for now “Assimilate” and its equally effervescent collage barrage of a video are sating my need for pop wobble today.



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School Damage – “Scump Damage 1”

One of last year’s favorite albums around here came from Aussie upstarts School Damage. Featuring members of Ausmuteants and Chook Race, the band captured a kind of woozy, wobbly pop that drew comparisons to The Vaselines and Young Marble Giants. Their simple, yet potent brand of post-punk was full of charms that only get deeper on their new 7” for Upset The Rhythm. The new single works under the concept of four songs about one cat – which on paper sound like it could get real twee, real fast. However, the band maintains their usual off-kilter sensibility pinning Jake Robertson’s tale of Lumpy (aka Scump) to a headrush synth line and enough jangles to stuff your socks. They continue to be top shelf Aussie exports, and this little taste only makes me want more from the band. The single is out on UTR on May 25th.



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RSTB Best of 2017

So this year is drawing to a close, or almost, we’re still a few weeks away from pushing the broken pieces of 2017 into the trash. There’s no real solace from a lot of the events that took place this year, but, independent of any current events, music has been kind to us all this year. These are the records that spent the most time on the turntable over here. Yeah, I know its kind of a lot, but there were far too many good ones that haven’t been getting the shouts they need elsewhere. Lets say this serves as both a best of and a most overlooked in one go. If you enjoy ’em, buy ’em if you can. Don’t do them the disservice of just bumping up the streaming numbers.

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