Posts Tagged ‘Grapefruit Records’

Bingo Trappers

A wonderfully slapdash enigma of a record, the 11th catalog entry for Amsterdam’s Bingo Trappers comes to the world via more record labels than you can properly sort – Almost Halloween Time, Morc Tapes, Unread Records and, finally, Grapefruit here in the US. The band has been plugging at their shambolic brand of ’60s-bent folk pop since the ‘90s and, while they might carry the hallmarks of buried Elephant 6 castoffs, they’re true guitar pop purists who’ve managed to make time drifted classics that are humble, hummable and charming time and again. Past entries to their catalog have floated to the surface on Shrimper, Animal World and Muze, but this is only the third time they’re getting a proper wax treatment, having been stranded in the CD-r ditches of the early aughts and stuck handing off cassettes at shows before nostalgia made them cool again.

On Elizabethan they’re plowing through their usual clutch of influences and adding in a couple of new nuances for the hell of it. They swipe at the homey humor of Muswell Hillbillies, sneak in a little ? and the Mysterians’ organ wobble, pick endlessly at the early works of The Byrds and sift through John Cale’s passed over choruses. However, since the Trappers are doing it all on a shoestring sensibility, the outcome lands closest to the likes of Deep Freeze Mice or The Stray Trolleys peppered with just a touch more sun-buttered slide. That country touch gives the record a heavier gravity than some of their past platters, spools, or decaying plastic curios. The blurry sunshine that dapples their approach makes this feel like private press gold snagged from the dollar bins wanting jaws or Kinks demos that have been chewing on “God’s Children”-vibes like an infinite earworm. Quite recommended that you check it out.


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The Garbage & The Flowers – The Deep Niche

Prior to the current wave of scrambling, digging and tape dusting to find unreleased material, the ’90s embraced a wave of accessibility with the CD boom, allowing plenty of unheard gems to grasp some light at last. In ’97 Bo’Weavil Records released Eyes Rind as if Beggars, a compilation of mostly lost to time recordings by New Zealand group The Garbage & The Flowers. For many, it was a release that sparked a deeper interest in the island’s fertile scene and gave influence to many who would embrace a folk sound that found equal footing in gentle strokes and noisy outbursts. The original compilation culled together home recordings, 7″s and live tracks that summed up their time after Torben Tilly’s addition. The Deep Niche captures a time even earlier than Eyes Rind, and surprisingly still finds plenty of quality moments that the “definitive” comp missed.

The core trio here is Helen Johnstone, Yuri Frusin, and Paul Yates with Tilly adding some drums and eventually keys on some tracks. It captures as raw and as vital a sound as its predecessor, swinging from the John Cale touches of Johnstone’s viola scratch, to a tender twee that would feel right at home with some Sarah Records releases, and the breakdown clatter of centerpiece “29 years.” The album finds the band in their infancy, but still lets Frusin’s songwriting shine through. There’s a nerve that’s touched throughout these tracks, and even with their meager means and scratchy quality, they’re full of enough power to uphold the legend that the band has built over the last couple of decades. Grapefruit gratefully presents this album for those looking to delve even deeper into the band’s history.





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