Emerging from the synth heavy confines of Ancient Ocean, a name he’s worked under for the better part of the last decade, J.R. Bohannon emerges from the blistered chrysalis of ambient noise for a record that’s imbued with a crystal-clear brand of fingerpicked folk. Dusk sees the artist opening into a verdant sound that pulls together threads from the Takoma school, bluegrass’ earthiness and cadence and some more experimental touches that throw him into the mix with Evan Caminiti and Scott Tuma. Bohannan has a way with space, making these solo pieces ring with a free-formed sunshine that feels like the walls of the studio don’t exist. If it weren’t for the complete quiet these could almost conceivably be captured in the field, smells of lightly rotted barn wood and day lilies on the air.
For the most part Bohannon makes the journey on Dusk alone, but he pulls in acclaimed drummer Greg Fox for the final, twisting number, “The Sorcerer’s Hand.” Here, Bohannon strays from some of the blissful themes of the album, diving from the melted sunlight streaks of the album’s title track into a world of secrets and paranoia. The track acts as a chapter unto itself at the end of the record, feeling like the sweeping, gorgeous tones of the previous six tracks were a pre-amble of another life before the darkened doom and hidden desires that threaten to shatter the peace as we leave the record. Altogether and outstanding debut from Bohannon and a new voice in instrumental guitar.
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