Posts Tagged ‘Ezra Feinberg’

Ezra Feinberg & John Kolodij – “Castle & Sand” / “Beyond The Fragile”

It’s already been a great year for Ezra Feinberg, with the release of his LP Recumbent Speech, but it seems he’s not done yet. Today Feinberg announces the release of a new split with John Kolodij (High Aura’d). Ezra offers up a rain-soaked vision on “Castle & Sand” which finds them trading isolated, patient riffs with a rippling piano part that doesn’t sound too far away from the environments on Ezra’s last LP. The song stings the air with a quiet desperation that’s a not an unwelcome accompaniment to life lived in solitude. Drones thread the entire LP, and elsewhere the guitars slide away completely. Shimmering tones float under woodwinds that dodge around the listening space while on the flip Kolodij pushes the drones past subliminal and into rising water panic. Feinberg and Kolodij have tended towards headphone records in the past, but this one is primed for listening in a personal bubble. They balance darkness with light in equal measures, creating a record that’s part new beginning, part tidal breath. The LP is out August 28th on Whited Sepulchre.





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Ezra Feinberg

I’ve shared a bit of this new LP from Ezra Feinberg, but the album’s really not something that can be parsed out into bits and pieces. Feinberg made his mark in the sorely undersung band Citay, fusing guitar flash and virtoistic playing with a sun-baked good nature that was way ahead of the Cosmic Americana curve that’s reared its head the last few years. He’s since taken to more Kosmiche waters, with a stunning LP in 2018, Pentimento and others, which he’s ably expanded upon with the rippling Recumbent Speech. Now navigating territory smoothed by Terry Riley and canonized by the German synth set — think Harmonia, Cluster, or Rother’s solo works – the new territory suits him. Naturally there’s the stamp of Eno as well, but with Tim Green, Chuck Johnson, Robbie Lee, and Jonas Reinhardt in tow, Feinberg is building soundworlds of his own that recall the light spirit of Citay, but embrace the new age with wide-open eyes.

While the mood is serene, Feinberg has plenty of rhythm at play on the album. As with his previous outings his string work often creates a loping underbelly to tracks, but he’s meshing the repeated phrases with the soft skitter of drums that range from whispered shapes of a pulse to prog and jazz touches that feel at home with their ‘70s precursors. Most welcome here is the pedal steel of Johnson, who uses it to shade in the songs with a darkness that cools off the abundant ease of the album. Feinberg’s compositions use their players as subtle, yet essential layers. Even the vocals of Mandy Green and April Haley are woven between the cataclysmic crumble of “Ovation,” one of the album’s true highlights. With his previous outing, Feinberg set the stage for this new chapter in his output, but with Recumbent Speech he’s crafted a cosmic high water mark that should be touchstone for anyone looking to elevate minimal records for years to come.




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Ezra Feinberg on Jon Gibson – Two Solo Pieces

Back around the time that Raven was still ramping up there were a good string of releases by Citay. The band was out of step with the indie set at the time. While they had a sense of grandiosity that would slot them in nicely with the ’06 – ’09 class, Ezra Feinberg and Tim Green embraced a cosmic classic rock quality and genuine appreciation of sunshine ‘70s riffs that would have done well had the band been coming onto the scene right about now. Where bands like Garcia Peoples and One Eleven Heavy have been embraced, they’d rightly have Citay to thank. A decade or so later Feinberg has moved on to a more serene thrum, though still struck with a shining positivity that radiates through his playing. With contributions from John McEntire (Tortoise), Chuck Johnson, and Jonas Reinhardt, he’s swimming through the calm, embryonic gap that lies between Eno, Cluster, Ashra, and Riley. Now Ezra’s sharing a gem that’s more in line with his latter day work – the haunting minimalism of Jon Gibson. Head below to see how this one came into his life and the impact its left there.

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Ezra Feinberg – “Acquainted With The Night”

Just in time to cool off the angst of the year, the new album from Ezra Feinberg (Citay) comes to quench the thirst for something serene. Built on a circular guitar line, and bathed in the cool blue waters of synths that ripple like a requiem for an unworried life, opener “Acquainted With the Night” sinks below the soul’s horizon on the last amber hues of sunset. After the final folding of Citay, Feinberg has spent time traversing the ethereal with Jefre Cantu-Ledesma and Arp. His close collaboration with Jonas Reinhardt from Arp is paid back on Recumbent Speech with synth contributions and he taps quite a few longtime compatriots with input from John McEntire (Tortoise), Chuck Johnson, Diego Gonzalez (Citay, The Dry Spells), April Hayley (The Dry Spells) making its way onto the album. I’ve long been a fan of Feinberg’s work with Citay and this feels like both a continuation of tone and exploration of new directions from the artist. Some days we all need a balm, and this is just what the mid-year stretch called for. The album is out June 26th. Mark your calendars.




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