Over the past few years there have been few guitarists as singular and intriguing in moving the needle forward as Chris Forsyth. As I’ve mentioned in the past, he aims for some sort of ragged, ozone-blasted bliss and always come up shaking off the cinder and ash of sonic debris. He’s exactly the sort I’m always looking for with Hidden Gems – an artist with a perspective informed by years of carving through likeminded stringsmiths to better his feel for the instrument. Its no surprise that when asked what record was sorely overlooked he found solace in another singular guitarist, but his pick is as off the path of usual touchstones as one might hope. Picking a out a piece of Robert Quine’s history, Chris opts for an oft overlooked collaborative record from 1984 with Fred Maher. Check out how this came into his life and what impact the record and Quine have had on his music.