Posts Tagged ‘Chris McVicker’

Swiftumz – Game Six

You’d be forgiven for having missed Swiftumz’ two LPs over the years. Despite crafting consecutive albums of homespun pop that shimmers brightly, Chris McVicker’s output has slipped all too quietly out into the world via the Holy Mountain and Melters labels. Its a shame though, because both records captured an artist who is at ease with his corner of the world – tumbling through a muted brand of power pop, glimmering jangle-pop and slicing through the bleary-eyed glories of American Indie with a rather precise knife. So, it’s with the release of McVicker’s latest single that SF’s Fruits & Flowers posts their second essential release of the year.

“Game Six” is pure jangled glory, spillin’ sunshine out of its pockets like quarters on laundry day. Like most of MicVicker’s songs it sounds so effortlessly intuitive you’d almost swear you’ve heard it before. He’s a student of the late ’80s and early ’90s and given a good time shift would most certainly have been pulling down some zine ink. This track alone is worth the price of admission, but he backs it up with a b-side that’s also tipping the gold standard. Shifting into melted-amber Indie-pop mode here and threading his way through Galaxie 500 and Yo La Tango vibes as felt through the soul of the late great Brightblack Morning Light, he’s letting things fade into a sherbet sunset – glowing an orange aura around the track to the very end. Both songs are on endless repeat around here and you’d do well to snag one too.

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Swiftumz – “Taste The Gray”

I’ve already professed some love for Swiftumz’ sophomore LP, Everybody Loves Chris, but there’s always room for a little more. In the casino set, blurred blackout of a clip Chris McVicker wanders through the underbelly of Reno set to the grunge blasted fuzz pop of album standout “Taste The Gray.” If you haven’t had a chance to check out the album yet, its highly recommended that you dive into the weird pop universe of McVicker’s Swiftumz.


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Swiftumz

Chris McVicker’s gauzy power pop may have slipped under your radar in the last few years. His first album, the sorely underrated Don’t Trip came out via Holy Mountain, more known for stoner metal than clean lines and upbeat sparkle. In the interim he’s let slip a few singles that also can’t help but put a sly smile on your face, bouncing out of the speakers on springs and pushing the clouds aside every time. So its great news that a second album is finding its way into the world on Melters.

Everybody Loves Chris follows along the path he’s trodden previously, dotting the album with some effervescent pop hooks but never getting caught in making that the sole focus. For every bit of jangle and every candy coated chorus there’s a track that’s caked in thick froth, shrouding any trace of sunny pop and finding joy in the dark corners of his catalog. The album twists itself into knots that earworm straight to your brain and take root. McVicker’s pop vision seems like the kind of album that would have reviewers flocking, a fucked pop nugget that can’t be contained or pinned down. Hopefully this time it’ll push through the surface and find that audience that it deserves.



Support the artist. Buy it HERE.

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