Perennial favorite Wireheads are back on the scene with a third record, again for Aussie imprint Tenth Court, and its great to hear their caustic post-punk mature. The Adelaide band’s debut was…
Usually Numero reissues come with lengthy bios and myriad facts about careers gone astray, labels that were pockets of talent or early careers that were overlooked. This one seems a bit oddly…
Hidden Gems is based on the idea of those records that are found along the way in life that you can’t believe you never heard about, the ones that just blow you…
Austin’s Spray Paint embrace the phrase, “no rest for the wicked.” On their sixth album in half as many years they’re hitting more than their stride, they’re pummeling listeners with the most…
Outta Control sees White Mystery step away from a lot of their comfort zones and some excursions work and others don’t but in either case there’s a joyous ripple that runs through…
Brought to you by Andy Votel and Demdike Stare’s ephemeral label Pre-Cert Home Entertainment, Channelled Messages At The End Of History began as a gift between friends, something not for mass production,…
This one came out late last year, but to such little rumble that it seems fitting to kick some dust up about it now. Gomes is a member of Brazilian bands Do…
So it would seem that the EP that Mozes & The Firstborn released earlier in the year was a tease and taste of a new album on the way. The first eke…
A harder look for Walter, the L.A. band that’s made of members of Meatbodies and Ducktails. They’ve definitely absorbed a few of their fellow L.A. brethren, leaning into a storm-wrung psych cloud…
That this record ever nabs a Krautrock tab is solely because the band is German and came up during the 70s timeframe that produced many of those bands. It bears none of…
Ah hell, has it really been four years already since the last Belbury Poly album? Feels like just yesterday. Since the music is crystallized in an amber gloss of ’60s Chyron clean,…
Ben Chatwin’s last record, The Sleeper Awakes was a grey-skied masterstroke of noise-flecked neo-classical. His solo works find the deep ravine of sadness and rub cold dirt into the wounds, feeling somehow…
First time I heard Steve Gunn was back in 2007 on a small label called Onomoto, known for acts like Taiga Remains and Ghosting. Gunn was pulling down ragged fingerpicked odes that…
Its always good to have Cool Ghouls back in my life, and on the verge of Summer no less. The first peek at their upcoming album, Animal Races is steeped in the…
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