Six Organs of Admittance


There’s always a need to celebrate when a new Six Organs gem tumbles down the belt, and his latest Companion Rises sees Ben back in fine form. Shedding the constrictions of his Hexadic system, which marked his last couple of releases, the album is locked back into the smoggy-eyed smolder that marks some of 6-orgs’ best works, though this time around he’s subbing a crinkled dose of technology in place of splicing tape and overdubbing percussive takes though the night. While there’s always the possibility of hampering the formula and making it feel like a digital copy of a copy that’s somehow both too crisp and yet still off-center, the addition of programing sits seamlessly into Chasny’s style. The programmed percussion still lollops with the same skitter those old hand drums did and that’s part of what makes it click.

Atop the patter of virtual sticks, Chasny lets the guitars do what they do best in the context of Six Organs – they tangle into ornate nests of notes, they singe themselves with a delicate fury, they rest the ornaments of production in a hammock of six-string security. What’s more he makes synthesizers singe in the same manner, pushing their production to the most organic edges of the mechanical spectrum. They ring and burble like replicant technologies, hardly aware they aren’t grown from the ground. When Chasny fuses the future with the past his bio-organic burn feels like an evolution of sound – nylon strings bending around in circular paths that lead forever down in repeated loops of copper wire and crushed circuits. The spark of guitar fury is still there like a wick bound to set the songs aflame and the blaze is beautiful – full of warmth, subtle flickers of orange and yellow, and an ashen ending that feels transformative.

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