Lorelle Meets The Obsolete
Mexican shoegazers Lorelle Meets The Obsolete have been something of a fixture on RSTB for some time, so it was great news when I got wind the band had knocked down much of their past writing habits, built an album largely around synths and started up their own imprint to release it. De Facto‘s a biting bit of tongue in cheek, given that this is anything but a stock Lorelle album. While it shares the band’s love of obfuscation and crackling walls of sound, the album is at once more experimental and more pop than they’ve ever let on before. The band broke away from the pervasiveness of a screaming guitar build and buried vocals on 2016’s Balance, but that still bore a pretty heavy footprint of where they’d been. De Facto cracks open the door slowly, with “Ana” creeping in on almost nothing at all, just a skeletal pulse and Lorena Quintanilla’s silken vocals. The track is a bit of a red herring, as the band immediately jettisons the restraint by the next track, pinning their dreampop to a pulsing beat and a sweaty pop pound before winding their way through stylistic nooks over the next seven tracks.
While they’ve long included their native tongue in their works, De Facto is also notable for being their first album to feature no trace of English and it feels like the band embracing themselves like never before. This is the unfiltered Obsolete, not afraid to walk away from the corner they’ve been painted into by years of expectation. There’s often been a squirm of discomfort in their songs, even when easing into the ether, but here it feels like they’re finally letting the tension melt and with it letting the listener melt along with them. The album pools in gossamer puddles that swell to flooded fields once the band flips the switch to deluge. Their unparalleled ease only makes the fuzzed payoffs more satisfying once they finally loosen the hatches here. With each listen, De Facto opens itself to more shimmering moments shoegaze/dreampop perfection. Both genres have long been maligned by a generation of half-assed accolytes, but Lorelle Meets the Obsolete prove that there’s still juice in the tank when its done without reservations.
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