Been really enjoying this scrappy, scruffy dose of post-punk from San Francisco’s Galore lately. The band’s hitting on the same intersection of influences as Aussie upstarts Primo!, Terry, and School Damage but they add a dose of sweetness that’s sometimes sanded away from those outfits, perhaps bringing them most in line with the windswept charm of Parsnip. The band employs an austerity that cuts through the fat of pop and hits straight onto the bone. Jangled and jostled, nervy, but emotionally raw, the band’s eponymous LP also draws a crooked line between Look Blue Go Purple, The Pastels, and Talulah Gosh. The songs are catchy without cloying, crafting hooks that knock around the brain but won’t latch completely due to the rough edges. Each go round with the album lets them stick in a different nook of consciousness and if feels just right.

They sweep from strums and the lilt of jangles that populate much of the album to the sonic shrapnel of “Cucaracha,” and the bent tin twist of “Lydia,” executing the switch without so much as a skid on the pavement. They make the juxtaposition feel natural like the flow of an 80’s college station. The songs crunch confessionally, detailing days spent lolling in the bed, creature comforts, dashed hopes, and sneaking suspicions. The bubble-wrap snap of drums skitters in the background and the bass feels like its just getting its land legs back on more than a few songs. The whole record comes together in a lovely slump on the bed — conflicted, content, confused, and catchy. It’s holding up a long tradition of jangle n’ bop that doesn’t quite fit into the boxes that folks want to try to stuff ‘em into and Galore comes out shining all the brighter for their refusal to take shape.

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