Beautify Junkyards


The fourth album from Lisbon’s Beautify Junkyards is a dazzling, dense work that recalls Broadcast, Os Mutantes, and labelmates Soundcarriers at their best. Cosmorama immediately vaults the listener through the looking glass, and straight into a liquid light show of colors and permeable realities. With a hook into folk and another in pscyhedelic jazz, the record is pastoral at its heart. The vocals of guests Nina Miranda and Alison Bryce move from whispered wisdoms to mournful sighs and ultimately pose as ghostly invitations. As the layers build around them, though, the progressive spirit of the band swings away from the simple folk setup and lets the lysergic lens coat the record in colors that are hard to pin down.

The works of Beautify Junkyards have always had a bit of a ‘through the hedge’ quality to them — a feeling of entering a lush, verdant world just hidden behind our own. The synths lay down opalescent mists. The guitars are mossy and wet like cut leaves, seeping through the songs with mystery that’s burdened with sadness. As with the last album, Espers’ Helena Espvall remains a key to the band’s psychedelic sway. Touches of Flute, cello, and zither give the album and otherworldly quality that plunges the listener further down the hidden paths. It’s hard to come up for air after the last notes of Cosmorama fade from speakers, but like being roused from a waking dream, the album lingers in the synapses even after it exits the ether. Fans of Ghost Box should know that the label’s a particular seal of quality these days, and Beautify Junkyards live up to the stable’s reputation nicely. Wrapped as all things at the Box are, in gorgeous Julian House artwork that tips this into collection fodder as well.

Support the artist. Buy it HERE.

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