UT – In Gut’s House


The gaps in the No Wave nuggets have been closing in for the last couple of years with vital reissues from the likes of Maximum Joy and Kleenex among others. Though there’s been a definite deficit when it comes to contributions from NY trio UT. The band hung their sound on considerably less groove than many of their peers, perhaps finding a split ground between Au Pairs’ stark realities and the burgeoning noise-dirge deluge from Sonic Youth. The band leaned into atonal, scraping passages, but they landed them with an edge that drew blood and their influence could be felt reverberating through the tail of the ‘80s and into the more fraut threads of pre-grunge. Oddly the band didn’t find much of an audience in the States at the time of and would achieve a slightly wider audience and acceptance in the UK. They released a few recordings on their own Out Records before signing with Blast First for their debut.

The band picked up some heavy fans, though, including John Peel who recorded the band for a session and Steve Albini who would record the follow-up to In Gut’s House, Griller. This record acts as a vital transition period for the band, moving away from their earlier live recordings that had appeared on their Out tapes and on their Blast First debut. The album is a driven, unforgiving record that doesn’t lean into melody as a crutch. It opens with the rather infectious “Evangelist,” but the track works as a red herring as they’d almost never return to the sprightly bounce of that track and instead scrape the soul with a darker, leaner, tension-torqued set of metallic bile that’s as bracing as any record that hit the stands in ’88. It nabbed attention and praise from NME that year and picked up steam in The Village Voice, but in general the hometown crowd wasn’t biting on UT’s sound. They’d record the follow-up with Albini before disbanding shortly after. It’s high time that this one grabbed the praise its due as a vital link in the noise, post-punk and No Wave chains, drawing them all together for a record that still draws blood like it did the day it was released. Now, Out is looking to revitalize the band’s catalog for a new age and these recordings sound as fresh and ferocious as ever.

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