It’s a good week for RSTB faves around here. After a nice entry to the ongoing series over at Looking Glass The Green Child, the duo of Raven Mahon (Grass Widow) and Mikey Young (Total Control, ECSR), are back with a sophomore LP that’s strengthening their sound into something more concrete than their debut. Done trading demos from California to Australia, the pair are now both based in the Aussie seaside town of Rye with access to Mikey’s studio and more time to concentrate on reverse engineering dreampop. “Low Desk : High Shelf” is a propulsive synth-pop cut that’s more than it lets on. With themes cut from Camus’ The Stranger revolving around our ingrained perspective and the absurdity of the angles we find ourselves perched and perceiving the litany of life, its hardly . Raven’s vocals poke through a waft of haze, though the track is decidedly pulsing along on bubbled synth strains and a shimmer of guitar.
The accompanying video attempts to contextualize the themes with a contemporary note from the director, Nemali Hypolite, who sums it up, “When directing this video, I kept one thought in my conceptual orbit; the pursuit of happiness. In the year 2020, it seems irrefutably obvious that racism and its disciples continue to ride on our coattails. An unwelcome guest whose presence rewards only those willing to condemn their brothers and sisters to a life of defeat. If at the root of it all, we’re all sentient beings seeking happiness, who’s to say some of us are less deserved than others? I wanted to experiment with the soft whimsical notes of this song, it’s lyrical depth, and my own indignant interpretation of the insider’s club we call the pursuit of happiness. Thus created a calculated, narrative visual piece. One that employs obvious metaphors, basic colour aesthetics, and tacky gore, but perhaps evokes a more metacognitive reflection.” The LP, Shimmering Basset is out Oct 9th on Upset The Rhythm. Check the video and get this in rotation.
Support the artist. Buy it HERE.