New Rose captured the spirit of comedown country on their recent album, Morning Haze, for Brooklyn label Broken Circles. Steeped in the kind of spectral light that peeks over the mountains, threading…
The end of Veronica Falls always left me feeling a bit sad. The band’s perfect distillation of jangle-pop on the skids, sunny melodies with a tear in their eye, was always comforting.…
Julian House again picks up his mantle as The Focus Group, spreading Radiophonic frequencies out into the ionosphere with precision, ingenuity and a glint of madness in his eye. The crux of…
Chris Schlarb doesn’t work in half measures. Despite bubbling under the surface, rolling out releases on Asthmatic Kitty and Joyful Noise, he’s pulled down some banner contributors on his last couple of…
Canadian post-punks Teenanger put together a pretty solid collection on their eponymous LP, but “Fun Forgot” sticks out as an obvious highlight. In the clip, the band pairs the elastic bounce of…
Straddling the nebulous line between shoegaze and psych-pop, Saskatoon’s Radiation Flowers bathe in the warm amplifier glow of Spacemen 3 if they’d been playing split singles with Galaxie 500. Summer Loop, the…
San Francisco is full of guitar rock of the jangled variety but rising above the typical Mission fray soars The Lovebirds. They’re packing a satchel full of chiming chords here, but rather…
Sharing members with The Twerps and Boomgates puts The Stevens in good company, but though they echo traces of the current new wave of Aussie bands, the group also taps into classic…
Stripping down to their core for this record, Tim Cohen and Wymond Miles continue to be consistent muses to each other, pushing their collaborative work harder than ever before. The latest single…
Ghost Box drone slinger/synth wizard Jon Brooks has been an integral part of the label’s evolution, popping ’round in banner releases from The Advisory Circle, Pattern Forms, Hintermass and The Belbury Circle.…
Aussie psych stormers Beaches are back after what feels like an almost unbearable hiatus (last album was 2013). Though to be fair, the ladies that make up the group have rather a…
Aussie quartet Major Leagues makes good on some solid EPs leading up to their Popfrenzy debut. The band has fully embraced their woozy, sun-streaked pop on Good Love, saturating every second with…
Atlanta’s Omni are back and refining the post-punk jitters from last year’s excellent debut offering. First single, “Equestrian” picks up with more Verlaine-veined guitar lines nestled atop a skittering drum beat. They…
The marquee hook on Here Lies Man is “Black Sabbath playing Afrobeat,” which sounds good in a pull quote, but is a fairly reductive take on what Here Lies Man are actually…
Raven Sings the Blues started as an MP3 blog back in 2006, when such a thing existed. Eventually it evolved into a daily music review site focusing on garage, psych, county, experimental, indie and crucial reissues.
The site is written and maintained by Andy French.





























