Last week I mentioned the growing presence of a new crop of bands raised on soundboard rips and zine culture conversations regarding which night held the true elevation of a solo from rote to enlightened and this week I’m introducing the first taste of one of the best of what’s next. While over time the mere implication of a band leaning jam seemed to set higher-handed listeners hackles on full alert, now that niche is king and cultures upon sub-cultures have cropped up quicker than crabgrass in internet back-alleys there’s a growing demand for bands that process their love of Little Feat, NRBQ, Levon, Trux and the Dead without worrying about cultural cache. There’s a demand and 2018 is bursting to contain the response.
Let’s not go throwing around that itchy term ‘Supergroup’ here but, be fair, there’s an overabundance of talent coursing through the veins of One Eleven Heavy. Started as a gauntlet thrown by James Toth (Wooden Wand) to fellow traveller Nick Mitchell Maiato (Desmadrados Soldados De Ventura) “Old Hope Chest” was conceived to “rise above the mundane, descriptive, lifestyle narratives of contemporary singer-songwriting.” It was, they decided, “Something that connects to our shared rock tradition and celebrates our musical identity without the apology of irony.” The track swings on groove and taps into a collective consciousness of what was actually “classic” about rock, without being dictated by what was pressed, sold or spun through the static crackle of radio. This echoes the ’72-’74-era Grateful Dead as it was lived in the room, and not as it was felt from the runout.
Joining in this crack team of cosmic workmen is Hans Chew (Hiss Golden Messenger/Jack Rose/Endless Boogie), Ryan Jewell (Ryley Walker band/Psychedelic Horseshit), and Dan Brown (Royal Trux/’68 Comeback) and the LP opens up shop as the first release on Scott McDowell’s (WFMU/ 120 Minutes) new label Kith & Kin. So, yeah, like I said this one’s not treading lightly. Drop into “Old Hope Chest” below and get prepped and hydrated to receive Everything’s Better in September.
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