Modern Nature


Following the unfortunate fallout from Ultimate Painting’s implosion, the band’s Jack Cooper heads inward, which is saying something. His previous outfit had a particular proclivity for introverted indie-pop that felt like it carved a distinct connection with each and every listener. While he’s shying away from the pop aspect of his writing, that core connection and folk formulation remains on Nature. The EP, built on the cavern coolness of purred vocals and bubbling cosmic grooves, gives his work a psychedelic tweak, but its the work of someone spiraling down the depths of the unconscious coil rather than exploring the etchings in the dayglo painted stars above. He’s assembled a crack team to pull off his new vision as well, pulling in members of Woods, Herbcraft, Sunwatchers, and Beak on these four engrossing tracks.

While the propulsion of the title track begs Neu-nerds to come out of the woodwork, the track is self-professed in its allusions to the more experimental bend of ’69 Fairport Convention (in particular “A Sailor’s Life”) and the trend of bucolic English psych-folk toward the creep of drone’s embrace becomes a touchstone for the album. The opening and closing tracks are different visions of the same oasis, with “Supernature” taking the listener much further into the catacombs of consciousness. Elsewhere Cooper explores the sun-licked peace of acoustic thrum on “Flats,” and throws in a cover of the perennially inspiring “Blackwaterside” folk-tale, skipping just Ren Faire aesthetics that lesser artist can cave to and finding the meditative beauty that Jansch and Denny brought to the traditional piece.

Cooper seems to admit that this EP came out of something beyond him, and whether it becomes the beginning of something longer term or just a watershed to tide him through the transition remains to be seen. I’m hoping that he continues down this road, though. The experimental folk badge looks good on him and should the band begin rotating in talent like those assembled so far, it could be a great new chapter in Cooper’s pop cannon.

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