L.A. duo Mapache are probably a bit late on their particular sound a couple of times over, but that’s kind of the charm of it. The band is evoking the vibes that ran through the country-tinged revival that pushed bands Beachwood Sparks and The Tyde into the modern lexicon – their own sound itself just a reflection of The Flying Burritos, solo Gram, Gene Clark and The Byrds before them. The connection to those ’90s psych stalwarts is no chance happening, though. The band’s Clay Finch is a cousin to Beachwood’s Chris Gunst, who has championed the youngbloods along with The Tyde’s Brent Rademaker. Both have stepped up to push the young duo to their place among L.A.’s live set.

With that kind of endorsement and lineage you’re either coasting on the fumes of nepotism or you had better be able to back it up. The eponymous debut from the duo boasts more of the latter thankfully. It breaks with the widescreen, panoramic production of their mentors, instead opting for spare arrangements that focus on the pairs’ voices, often all tangled up in one another. Their simple country-folk songs evoke evening light and the feel of sunburn tightening on the skin. Often boasting simple setups that put slide and strum in sway with an amber-hued croon, their songs aren’t overwrought, but it’s easy to see how they could sink a crown into the bliss of permanent summer.

There’s an eternal quality to the songs, a feeling that they’ve just been around bouncing from bar band to bar band in the neighborhoods of L.A. for the last 50-odd years and Mapache has just now put these public domain yarns to wax. That’s certainly what they’re stretching for and more often than not, they hit that vibe effortlessly on the head. Some bands try damn hard to feel like they just showed up and strummed out a weary, road-dusted classic. Seems like Mapache have found a way to breezily harness eleven of them, each one sinking into the horizon with a deeper orange, kicking up the crickets as they fade away.

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