Following up on their 2016 collaboration for Dead Oceans, Chicago drummer Charles Rumback and Ryley Walker head over to Thrill Jockey for a second set of skitter and strum. Again, tacking away from Ryley’s singer-songwriter impulses and into instrument folk that pushes beyond the boundaries that the genre might entail, the pair prove perfect foils for one another. Walker has ensconced himself in two forms over the last few years and his collaborations with Bill MacKay, Running, Rumback and most recently Steve Gunn have proven the artist’s prowess in mapping the more experimental mores of the improv terrain. Here, the set starts out warm and sunny, beset by fingerpicked runs and jazz sweeps through the kit. Opener “Half Joking” yawns with an early morning saunter, a song fit for the porch before the day takes shape.
As their work wears on the duo introduce a darker tone, replacing the burble of strings with more sawed and sore drones on “Idiot Parade” and letting the cloud cover choke out their earlier ease. The following, “And You, These Sang,” brings and air of consternation, a pang of hurt that’s moth eaten in places by fuzz and smeared with the handprints of white-knuckle tension trying not to seep its way to the surface. They toggle back and forth between air and void before tumbling completely into the latter on “If You’re Around and Down” a meditative respite that rolls with Rumback’s slow-motion heat-lightning patterns before the stormbreak relief of “Worn and Held” washes over the listener in liquid bliss. In some ways Walker’s dedication to the Chicago post-rock set that underpinned his last record rears its head here, feeling like the ghosts of Tortoise have inhabited the American Primitive. Walker’s been having a hell of a year live and Little Common Twist seeks to translate that energy into the studio setting as well.
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