Waxwork has undertaken the task of bringing the definitive version of the soundtrack to Dario Argento’s Tenebrae. The film marked a return to Giallo horror following his two classic supernatural thrillers Susperia and Inferno. Notably the soundtrack too takes a shift from his previous films. Whereas Susperia (as well as ‘75’s Deep Red) was set against the frantic prog backdrop of Goblin, and Inferno utilized Keth Emerson’s over the top organ/opera insanity, Tenebrae drew on an amended form of Goblin, who began to update their ‘70s sound. The Italian auteurs made a name associated with Argento’s films but they’d disbanded in 1980. At Argento’s request he employed a three-piece version of the band, who, given the film’s “not too distant future” setting, embraced elements of disco and early electronic pop, then set them into their driving prog impulses. The soundtrack is credited to Simonetti-Pignatelli-Morante, owing to their drummer owning the Goblin name, but its pure Goblin in its construction, leaning on synths in brilliant ways and opening itself up as a slinking and slick addition to the film’s suspense.
The band’s earlier soundtracks often get the glory, and in Susperia’s case its well-deserved, but to discount Tenebrae’s score is to do the band a disservice. Critically it has been noted that the score ties so well into the movie it almost becomes another character rather than a passive bedrock. The soundtrack’s embrace of dance elements lead to tracks popping up in clubs and enjoying remixes. Waxwork has gone all out to embrace this, giving it lush packaging designed by Nikita Kaun that features a die cut sleeve. While the composers felt it was overshadowed by the success of their earlier works, this most recent reissue proves that it had as lasting an impact as Argento’s own innovations with film.
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